An exploration of how the U.S. military employs video game technology to train troops for war. Filmed at the United States Marine Corps Air Ground Combat Center, Watson is Down pairs footage of soldiers at computers engaging in combat-simulation training with scenes from the video games.
Years ago, artists would walk around the muck at the edge of the San Francisco Bay in Emeryville, and build loads of sculptures out there on the flats, created from driftwood and found objects that drivers would enjoy as they motored south on the old Highway 17 (known in numerous radio ads as 'Highway 17, The Nimitz'). Grabbing material off someone else’s work was considered fair game and part of the fun, and contributed a kinetic dynamic to the ongoing display. Now the place is a park, and the sculptures are gone, but you can see what it used to be like in this neat and funny documentary by Ric Reynolds, augmented by Erich Seibert’s wonderful musique-concrète/time-lapse sequences. The flashback circus sequence includes Scott Beach and Bill Irwin. Sculptors interviewed include Walt Zucker, Tony Puccio, Robert Sommer, Ron & Mary Bradden, and Bob Kaminsky.
Vízie z Inferna-umenie proti zabúdaniu
The film is a documentary record of the passed stage of the life of the creative association "Buryatsky Underground" ("BATO") for 6 years of its existence.
A behind-the-scenes look at the beloved public television personality's journey from humble beginnings to an American pop-culture icon. "The Happy Painter" reveals the public and private sides of Bob Ross through loving accounts from close friends and family, childhood photographs and rare archival footage. Interviewees recount his gentle, mild-mannered demeanor and unwavering dedication to wildlife, and disclose little-known facts about his hair, his fascination with fast cars and more. Film clips feature Bob Ross with mentor William Alexander and the rough-cut of the first "Joy of Painting" episode from 1982. Famous Bob Ross enthusiasts, including talk-show pioneer Phil Donahue, film stars Jane Seymour and Terrence Howard, chef Duff Goldman and country music favorites Brad Paisley and Jerrod Niemann, provide fascinating insights into the man, the artist and his legacy.
Through an interview with Kiarostami in the Aran Islands and interviews with film critics and scholars at Cannes, the director examines Kiarostami's themes and methods. The director also profiles Kiarostami as a poet and a photographer.
To mark his fiftieth birthday in 1988, London's Tate Gallery staged a major retrospective of his work. Melvyn Bragg joined David Hockney for an exclusive private view of the exhibition and they were filmed discussing pictures from all stages of Hockney's remarkable career.
A documentary about the "The Mystic Lamb" painted at the beginning of the 15th century by the Van Eyck brothers.
What is artistic inspiration? Is it the same for all of us? 'in·spi·ra·tion' follows three Isle of Man artists as they create a piece of work and explore what inspiration means to them.
A documentary about the statue Winged Victory of Samothrace, unquestionably one of the most complete expressions of Hellenistic sculpture
"Too much Picasso kills Picasso?" In France as in a lot of other parts of the world Pablo Picasso's art and life is on exhibition. An episode of Le Figaro's Les Décrypteurs.
Five hundred years after his birth, the life and career of the Italian Renaissance's last great painter is explored.
One public housing flat in Moscow stood out above all others: the home of George Costakis, the foremost collector of early 20th century Russian avant-garde art. Its walls were crowded with banned and forgotten works by artists such as Malevich, Tatlin, Kandinsky, Chagall, Lissitzky, Rodchenko, and Kliun; public figures such as Edward Kennedy, Stravinsky, and Alfred Barr visited. Barrie Gavin met the collector in 1982 at his home in Athens. Costakis, a Greek born in Russia, passionately shares his story and those of the great Russian avant-garde artists. Their works are his legacy – without him, they would not have survived the political upheavals in Russia.
An intimate journey through the formative years of David Lynch's life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema's most enigmatic directors.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.
PHOENIX
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?
Documentary about the painters Augustus John and James Dickson Innes who, in 1911, left London for the wild Arenig Valley in North Wales. Over three years, they created a body of work to rival the visionary landscapes of Matisse.
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.