Pikk Street

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

'Still Lives' comprises a trilogy of films by Patrick Sheard; Lamenta, Libertas and Exitus, anthologized here in their entirety.

Gubara was proud of the first color film in African cinema, which attempts to give an African response to the city symphony genre by capturing disparate images of daily life in Khartoum and setting it to music, particularly romantic Arabic songs.

A short film about Stockholm. Sweden's first Oscar, 1949 Best Short Subject, One-Reel.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Belfast, it's a city that is changing, changing because the people are leaving? But one came back, a 10,000 year old woman who claims that she is the city itself.

"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."

A symphony of raw video clips mined from the depths of YouTube — a feature-length exposition transporting us into the intimate realms of ordinary people from around the globe.

The last days of summer captured on 16mm.

"The Hart of London" is an endlessly layered tour de force. It explores life and death, the sense of place and personal displacement, and the intricate aesthetics of representation. It is a personal and spiritual film, marked inevitably by Chambers’s knowledge that he had leukemia. The late American avant-garde filmmaker Stan Brakhage said of Hart, "If I named the five greatest films [ever made], this has got to be one of them." Even this high praise falls short of hyperbole. The Hart of London is at the centre of Chambers’s extraordinary achievement.

Portrait of a waterpark.

Peter Hutton's New York trilogy. An act of urban archaeology, a chronicle of indelible impressions of the city.

A "city symphony" film, produced to encourage Photographic Society of America members to attend their 1963 conference in Chicago, City to See is a surprising film. It combines footage of Chicago with a deadpan commentary that pokes fun commercial travel films: "Chicago is my town," the narrator says wryly, "and no other town will do." Conneely was awarded a special prize by the Photographic Society of America for this film.

Libertas

Two friends travel around the city of Reno, Nevada, and go skating at a nearby parking garage.

Compiled from stock footage, Livestock is a visual poem exploring the digital, physical and metaphysical synergy of the modern workplace.

In studio visits with 30 of early 2000's most prolific emerging street and skate underground artists.

The life of the Tibetan people, forty years after the Chinese invasion. Filmed in Amdo and Kham, regions forgotten by the world and absolutely forbidden to filmmakers and journalists until now, this is an exceptional document on the most mysterious civilization of humanity, now threatened with death.

'The Church of the Open Sky' is a luscious visual love poem that explores gratefully lived surfing journeys. It is a sea soaked celebration of the exquisite preciousness of being alive.

Two characters, a carriage and a horse. Where are they going? Towards what? Joy, torment and undefinable music. Vulnerable, yet not ready to surrender. They are the poets of time.