An early Thomas Edison short. A young woman is kidnapped while attending a play in Chinatown. A reporter attends another play in Chinatown, is likewise kidnapped and rescues the young woman. Preserved by the Academy Film Archive in 2011 in partnership with the National Film Preservation Foundation New Zealand Project.
"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.
Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
A musical about an unhappy couple and the man that stands between them. Preserved by the Academy Film Archive in 2015.
A short comedy by Curt McDowell. Preserved by the Academy Film Archive in 2015.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
Two young women, frustrated by war rationing, have a dream illustrating the likely results on prices in America should the measure were prematurely lifted. Preserved by the Academy Film Archive in 2008.
Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.
The Rehearsal is a 1969 short comedy, written and directed by Stephen F. Verona. It is a humorous short where a director becomes frustrated with a quisitive actress during the rehearsal of a play. The film was nominated for an Oscar for Best Live Action Short Film. Preserved by the Academy Film Archive in 2010.
Doubletalk is a 1975 short film directed by Alan Beattie. The film follows a young man who picks his girlfriend up at her family home and meets her parents -- and the audience is privy to their private thoughts and impressions. The film was nominated for an Oscar for Best Live Action Short Film. Preserved by the Academy Film Archive in 2012.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
A mystery novelist devises an insurance scam with his wife's lover – but things aren't exactly as they seem. Preserved by the Academy Film Archive in 2012.
My Snowman's Burning Down is an American short film made by Carson Davidson in 1964, with music composed and performed by Gerry Mulligan. A surrealistic and humorous satire on the Madison Avenue image of the world through advertising. The film was nominated for an Academy Award for Best Live Action Short Film. Preserved by the Academy Film Archive in 2009.
Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.
A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.
Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.
Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.
The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.