Impressions of a turbulent period in youth.
On the heels of a tragedy and the COVID-19 pandemic, a Dallas-based theatre troupe comprised of people with intellectual and developmental disabilities are determined to write, rehearse, and perform their 11th annual original musical.
Come il Bianco
Le magicien de Kaboul
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.
This documentary celebrates one of Britain’s greatest actors, Dame Judi Dench, and looks back over her remarkable 60-year career.
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
On the night of Oct. 2, 2005, Hart and Dana Perry's 15-year-old son Evan jumped to his death from his New York City bedroom window. This moving film is the story, told by his filmmaker parents and others who knew him, of Evan’s life and death, and his life-long struggle with bipolar disorder. It delves into the complexity of Evan's disease, sharing his family's journey through the maze of mental illness. In showing how one family deals with generations of loss and grief, the film defies the stigma related to mental illness and suicide and tells a human story that touches everyone.
How well do we really know our parents? And their youth? Do we simply have a vague idea of who they are, and were, before they had us? Cécile embark on a quest to discover truths about her mother and her youth, truths that can't be found elsewhere, than right where it all happened. Southern France. The project is a self-inventory, and an attempt to understand the complexity of parenthood and the dynamics between mother and daughter.
An unflinching look at alcohol use disorder and it’s impact. Conversations between a father and daughter.
Maru is experiencing a strong grieving process. The image of her, which she had built over the years, of laughter and good times, now turns to tears. Luci, her cousin and her best friend, serves as her listener and advisor, she has always been like that.
When the 2004 tsunami hit the coast of Sri Lanka, 65-year-old Anton Ambrose's wife and daughter were killed. "In five minutes," he says, "I lost everything." A year later, Anton returns to Sri Lanka. With him is his nephew, award-winning filmmaker Rohan Fernando. A Tamil, Anton moved to California in the 1970s and became a very successful gynecologist. His daughter, Orlantha, made the opposite journey, returning to Sri Lanka where she ran a non-profit group that gave underprivileged children free violin lessons. Blood and Water is the story of one man's search for meaning in the face of overwhelming loss, but it is also filled with improbable characters, unintentional comedy and situational ironies.
Reverend Richard Coles opens up the conversation around bereavement, as he goes on a personal grief voyage and tries some unconventional activities that have helped others to live with loss
A feature documentary about Kansas City, as its people tell us how they got through the pandemic and look back at what they lost.
In the United States, there is an active shooter incident every 12 days. In Memoriam shows the wrenching perspective of wounded survivors, grieving relatives, and heroes of the horrific attacks at the Las Vegas Route 91 Harvest Music Festival, the Sutherland Springs Baptist Church in Texas, and the Marjory Stoneman Douglas High School in Parkland, Florida.
In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.
Filmmaker Stephen Hosier takes a journey with Richard Csanyi, his childhood friend, as he investigates the life and death of his twin brother Attila, who was found dead on a rooftop in 2020.
Between 2007 and 2011, 725 Quebecers aged 16 to 24 were killed in car accidents. Excessive speed and alcohol were involved in half of these deaths. To try to understand what is going on in these young drivers' heads when they get behind the wheel, host and documentary filmmaker Paul Arcand met with some of them. On one hand, he gives a voice to these young people who love driving fast. On the other hand, he provides a forum for two accident victims who were injured both physically and psychologically. Finally, the director meets the mother of little Bianca Leduc, who was killed by a drunk driver while she was in the care of her babysitter, and the parents of Michael Borduas, 23, who is severely disabled from an accident.
In New Jersey, the Good Grief community focuses on a holistic way of dealing with grief, where children can give in to rage in ‘the volcano room,' and say goodbye to a dying teddy bear patient in ‘the hospital room.' Over the course of a year, we follow the weekly meetings and get close to Kimmy, Nicky, Peter, Nora, Nolan, and Mikayla and their close companion: grief. It is sometimes heartbreaking, but also humorous, to experience the questions about life and death through their open and curious minds. Grief is high and heavy as a mountain, but it helps you understand what has happened, and that death is irreversible.