Television registration of the eponymous performance by the Dutch comedian Claudia de Breij. Based on the life story of revue artist Heintje Davids, De Breij sings, dances and tells about a little girl who was told by her father that she was 'too fat and ugly' for the stage. Later, when she had long conquered that stage, there were people who decided that people like Heintje were too Jewish to be allowed to be there. But whoever stopped her, whatever happened: Heintje was there, and she always came back.
In this comedy show (the only full show by Jeroen van Merwijk that has been captured on screen) the Dutch musical comedian talks and sings about Mozart, America, the invention of new words and death.
Registration of the theatreprogram by the Dutch comedian Lenette van Dongen. A show about getting older. She is unabashedly honest about her lessons in aging and the wisdom that comes with it.
We like to convince ourselves of things. Trivialities that bring some order to the chaos of our thoughts, things that make life a little more exciting. But what if these thoughts turn against us? What if we convince ourselves of things that aren't necessary? What if we become paranoid about that one unanswered text message, uncertain about the future of our clothing, and afraid that our hero status is unsustainable? It is these illusions that comedian Thomas Smith wants to expose and puncture. And he is looking for a useful answer to the question of life: what to do when you receive good news while you have a headache?
It can go fast. One moment you are tinkering with a moped in your over-complete shed, the other moment you become chief of an Indian tribe. But not before you, as a proud householder with extremely cozy children, have shown how hospitality is meant. In the meantime you play the lead in a musical. It could just be. At least, in the absurd universe of comedian, actor and vlogger Henry van Loon. And in his performance Sleutelmoment it could all happen at the same time.
Comedian, actor and vlogger Henry van Loon will be in the theater until May 2019 with his new cabaret performance Onze Henry. In this personal program, he zooms in on his Brabant roots and serves you both hilarious and fidelely reflections and moving songs. You do not think of it, but you do see it, so that afterwards you come out with a pearly sheen and whisper, shaking your head to your temporary bed partner: "That was really something for our Henry."
Their second theatre program
In this comedy show the Dutch comedian Katinka Polderman explains (in songs and stories) how her motherhood influenced her view of the relationship between humans and animals.
Ronald is further in life, but does that mean he has become more mature? Not quite. Ronald explores his lack of self-control in his own unique way: with an unprecedented amount of (verbal) energy and funny anecdotes.
Dutch comedian Youp van 't Hek attempts to see the humor in the chaos that was the year 2020.
Moroccan-Dutch actor and stage performer Nasrdin Dchar attempts to make sense of the chaos that was the year 2020.
Javier Guzman: Oudejaarsconference 2020: Raspopulist
Roué Verveer: Heppie de Peppie
Registration of the sixth theatre program by the Dutch comedy duo (Niels) Van der Laan & (Jeroen) Woe.
Filmmaker André van der Hout made an intimate film portrait about Dutch musical comedian, poet, thinker and drinker Kees Torn, who stopped performing in 2012.
Stage registration of the umpteenth comedy special that the Dutch comedian Brigitte Kaandorp played in 2018-2020.
Stage registration of the seventh comedy special 'Troosten' by the Dutch comedian Jochen Otten. His inability to make his daughter stop crying was the reason for Otten to make this performance about emotions. How can you reach someone's emotions.
Stage registration of the second comedy special by the Dutch comedian Eva Crutzen. Crutzen tells and sings, accompanied by Jerry Bloem, about her life as a thirty-something, surrounded by other thirty-somethings who desperately hide their mental issues.
Javier Guzman: Oudejaarsconference 2018
Stage registration of the first comedy special by the Dutch comedian Micha Wertheim. The central idea of the performance is: 'Some people think I'm arrogant, but I spit on them."