Hitler Stole My Ideas

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

As early as 1920, the journalists of the "Münchener Post" recognized the danger posed by Adolf Hitler. Consistently and boldly they wrote about National Socialism. The brave journalists and their newspaper are almost forgotten today. A single book has been published about them - in Brazil.

After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)

The life and career of the hailed Hollywood movie star and underappreciated genius inventor, Hedy Lamarr.

A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.

This film tells the story of World War II as experienced by the inhabitants of Baku, the capital of Azerbaijan, at the time a satellite of Moscow. The very rich oil deposits of the region aroused the covetousness of Hitler who needed the oil from Baku to carry out his program of world domination. His entire campaign of 1942-1943 was aimed at seizing them. But the Soviets and the Allies were determined to prevent him from doing so, by all means, including the most radical, even if it meant wiping the city off the map.

Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

A documentary about the portrayal of Adolf Hitler in popular culture.

Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.

By combining actual footage with reenactments, this film offers both a documentary and fictional account of the life of Adolf Hitler, from his childhood in Vienna, through the rise of the Third Reich, to his final act of suicide in the waning days of WWII. The film also provides considerable, and often shocking, detail of the atrocities enacted by the Nazi regime under Hitler's command.

National Geographic looks in some detail at 6 of the many close brushes with death Adolph Hitler had at the hands of assassins. The potential for the plots to succeed are examined as is the unpleasant fate of the would be assassins.

Winston Churchill, one of the most revered men of the twentieth century. Adolf Hitler, one of the most hated leaders in contemporary history. Between 1940 and 1945, these two enormously contradictory personalities faced each other in both politics and war. A clash of giants whose story begins in the trenches of the World War I and ends with the debacle of the World War II.

The Obersalzberg retreat was the summer residence and retreat of Adolf Hitler, Eva Braun and his closest confidants in the Nazi regime. The public are mainly familiar with fi lm footage and photographs from the alleged Nazi idyll. For the first time, eye witnesses are willing to talk about their experiences in Obersalzberg.

In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.

A double portrait of two dictators who were thousands of miles apart but were constantly fixated on each other.

A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.

The mass murder of Jewish people by the Nazi regime is chronicled, with a warning that anti-Semitism is on the rise and the events of the Holocaust could happen again. The history of European Jewish culture and events before and during the Holocaust are seen in newsreels, photographs, and animated segments. The words of the victims of the era are read, and footage from the liberation os a concentration camp is shown.

The night of November 8, 1923, is arguably the most significant and transformative in the history of the twentieth century. A localised uprising in the Bavarian capital of Munich, led by a small man with a toothbrush moustache and a poisonous yet compelling grandiloquence, would have repercussions that would lead to the political shackling of an entire nation, the most abhorrent crimes of the century and a world war. You might say, Adolf Hitler came of age amid the smell of sweat and sawdust of a Munich beer hall. In the political chaos of 1923, he was a local irritant, gaining popularity among workers and soldiers, the ethos of his Nazi Party spreading like a virus. His first attempt at attaining true power came with an attempted putsch on the already separatist government of Bavaria, which left him imprisoned.

Secluded deep in the Bavarian Alps, Hitler, his family, and closest allies hid away- issuing orders for armies across Europe while they relaxed, dined, and enjoyed an otherworldly peace.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.