Green Street

Two instants separated by 99 days conflict with each other.

77777

Roma, and Britain. Following the application of new draconian laws, Documentarian Jacob Parvin seeks to uncover the beautiful culture and misguided stigma,a synonymous with Gypsy Blood. Jacob grapples with their own identity as a Gypsy and relationship with their grandmother, for what identity do Travellers hold in a modern world?

An intimate look into Demers family's experience raising children while dealing with the societal stigmas around disabilities and the consequences of Alberta's forgotten experiment in eugenics.

A vivid encounter with former three time Czech National Boxing Champion. Experience the rise and fall in the career of a female fighter.

When Loo Lay Yen suffers a stroke, the lives of her husband and three boys are changed forever. Shot by her eldest son, Tai Binquan, the film features family albums alongside raw documentary footage. where are you now is both a loving tribute to Loo and a piercing inquiry into care, dignity and the ethics of representing end-of-life experiences.

The Faces of Parkinson shows the people who suffer from Parkinson's disease and the impact it made on their life and people around and close to them. As it also asks the question how one continues to stay positive with such a destructive disease.

A documentary that threads on the hidden conundrums in the deaf world. Within the deaf and the hearing world is a fine line - so what's it like to live within as an in-betweener?

A portrait of 14-year-old Wen Bin and a Sri Lankan monk. They walk different landscapes of their residences - a temple, a home, a body.

The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

Theatre director Jan Kačena poisoned himself in 2019 by inhaling fumes and suffered irreversible brain damage. While his partner makes a film as a declaration of love, he lies unconscious. In the film, the director follows moments in the everyday lives of three people close to him: Czech rapper Tyler Durden, painter Tadeáš Pochman and film director Helena Papírníková. In a naturalistic way, it captures drug addiction, self-destructive tendencies and family problems, which are the subject of intimate, often uncomfortable conversations. The result is a diary-style probe into the fate of the artistic bohemia of late capitalism.

Childlike imagination, naive playfulness and an enchanted view of the world are at the centre of this poetic film. The child protagonists talk about their dreams, fantasies and experiences while touching on metaphysical questions of body and soul, life and death. Magic permeates every frame of this colourful collage.

Lucia "Pretty Beast" Krajčovič is a 34-year-old professional MMA fighter and mother of two children. Shortly after giving birth, she is determined to become a champion in both disciplines - sport and motherhood. With a baby in her arms, she is preparing for her next fight. Under the immense pressure of her two identities, exhausted from lack of sleep, she wrestles with a question to which she had a clear answer not long ago. How to be both Pretty and Beast and for how much longer?

Ženy v uniformě

A short documentary on how people view art and its value in today's society.

Ľudia a telefon

Do Chile za zatměním Slunce

The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.

Like at the New Year’s Eve, showers of colourful light cut through the darkness. While fireworks dissolve into nothing after a thunderous sound, shattered glass leaves material artifact. Sharp pieces then become a reminder of the real track that fireworks leave in the sky.