Battlefield Gender

Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

A story of forbidden love. An LGBTQ drama set in Ancient Rome. Arena tells the incredible true story of adopted son of one of Rome's cruelest emperors who must choose between his life as the future ruler of the Ancient world or a love and friendship once forcefully forgotten.

Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.

Annita Malavasi was just 22 when the Germans occupied Italy, their former allies, in 1943. As a partisan in the Italian resistance named “Laila”, she moved throughout the Apennines with and between fighting units, delivering information, transporting weapons, and taking part in battles. She spent over a year in the Apennines, fighting against the German occupation. At the same time, she had to assert herself against the men of the mountain villages. By the end of the war, Laila had risen among the ranks to become one of the few female commanders in the Italian resistance. This film chronicles the story of a lifelong struggle for emancipation that began with the battle for Italy’s liberation from fascism. Laila and her two comrades, Gina “Sonia” Moncigoli and Pierina “Iva” Bonilauri talk about their time in the Resistenza and what it meant to them and many other women.

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

A chronicle of the events in Dresden in the fall of 1989, which began on October 4 with the passage of refugee trains from Prague and the associated riots. Among many others, a doctor who describes the injuries of police officers and demonstrators, young demonstrators who were arrested and a couple whose son disappeared have their say.

Exiled, yet internationally celebrated Zimbabwean artist Kudzanai Chiurai's demons come to life as he tries to flee South Africa following increasingly fractious experiences on the Johannesburg art scene. His greatest demon “Black Guilt” is one he can never shake off, this burden of having to speak for his people. But Is this responsibility really a burden at all, or is it actually a superpower? Either way, will Kudzi ever be President of His Own State of Being?

Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.

General Electric sponsors this explanation of atomic energy, detailing some of its uses besides the bomb. Using animation and an off-screen narrator, the film describes the atom, elements and isotopes, the discovery of transmutation, experiments in artificial transmutation, and the reasons for the power of nuclear fission. The film argues that now, besides war, the atomic age holds promise for energy, farming, medicine, and research. The promise of the atomic age will depend on human wisdom.

In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges.

We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.

Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.

A mystical detective story set in the realm of Moscow art scene. Psychedelic trip through different places, characters and strategies in the search for the Author, covering mythology of Moscow art from the period of 1980-2010. The movie is based on the 'Inspection Medical Hermeneutics' group's text of the same name and on the historical research performed by the authors of the film. Production was an experiment in collective film making experience.

Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.

The Mystery of Mona Lisa

Scramble the Seawolves is the unknown story of the US Navy’s first and only Attack Helicopter Gunship Squadron. Established in 1967 and tasked with a life-saving mission of providing close air support for Gamewarden Operations and friendly allies in the Mekong Delta, Republic of Vietnam. Using war-torn hand-me-down huey’s, the Seawolves would become the most decorated Squadron in the Vietnam War and Naval Aviation History. Fifty years later, this is their story.

Manne

Les genies de la grotte chauvet

Quem Tem Medo da Arte Contemporânea?

A short film by Peter Greenaway. It depicts the painting The Wedding Feast at Cana by Paolo Veronese, through mixed media and shows different perspectives.