Der letzte Sommer der DDR

A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Ich will da sein - Jenny Gröllmann

Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution

The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.

DDR - die entsorgte Republik

"GDR The uprising of June 17, 1953" - : Since its founding, the German Democratic Republic (GDR) has repeatedly struggled with domestic political problems. While the standard of living of the population in the western part of Germany steadily increased, it stagnated in the GDR . A one-sided, industry-oriented reconstruction policy, coupled with rapid militarization, weighed on the country's economy, which was already under pressure from Soviet reparations demands. A majority of the population did not identify with the socialist system, which accordingly stood on shaky ground.

Former "Titanic" satire magazine editor Martin Sonneborn takes an undercover trip around Berlin and discovers the East-German mentality and what is left of the socialist German Democratic Republic.

Das Milliardenversprechen

Documentary about the late-era German Democratic Republic

Short film about the GDR (DDR) and the FRG (BRD)

Daniel lives in Bernau, a small town north of Berlin.This film tells this 21-year-old’s story and describes the radical right-wing milieu in which he grew up. In his candid portrait of how right-wing radicalism breeds, Daniel explains how difficult it is to break out of a vicious circle of violence, self-hatred and a right-wing extremist frame of mind.

In October 1987, the documentary film collective Amber Films from Newcastle became the first British film crew ever allowed to shoot in East Germany. They filmed the workers of the state-owned fishing concern in Warnemünde and a brigade of crane operators at the state Warnow dockyards. Just two years later, East Germany was history, including most of the jobs it once provided. Twenty-five years later, in 2014, the filmmakers returned to an utterly different Rostock. They visited the people they had filmed in 1987. Together, documentarians and subjects look at excerpts from the earlier film, and talk about the enormous changes the men and women experienced, how they dealt with them, and how they feel today.

In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes

Der volkseigene Bürgermeister

Großes Kino made in DDR

Der Duft des Westpakets

Honeckers letzte Reise

Journalist Daniela Dahn interviews the East-German author Christa Wolf during the German reunification: reflections on history, changing politics, life and work.

From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.