Let Us Meet Now

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.

North Korea's 8th Special Forces hijack a shipment of CTX, a potent new liquid explosive, and threatens South Korea as part of a plot to re-unify the two countries. Ryu and Lee, special agents of O.P., South Korea's secret intelligence service, attempt to track down the terrorists and find the CTX. Meanwhile Hee, the 8th's ultra-bad female sniper, resurfaces to wreak havoc and haunt Ryu.

Like the twining vines of the honeysuckle, each of the three stories in this film follow a character whose growth is impeded by the clouds of society hanging over their heads. From a Hungarian taxi driver torn between the preservation of his family and the unexpected humane responsibility found in the clandestine activities he does for profit, to the Hungarian teenager of a single mother whose idea of life goals and success seems perpetually defined by the missing figure of a role model, and finally to the young Indian Carnatic singer who amidst personal and national turmoil decides to sacrifice the one thing that defines her - her talent, Honeysuckle aims not to narrate or condescendingly offer a message, as much as it seeks to illustrate the many life directions available, and the way none of them are good, in a world severely lacking a moral center.

On 31 January 1968, 31 North Korean commandos infiltrated South Korea in a failed mission to assassinate President Park Chung-hee. In revenge, the South Korean military assembled a team of 31 criminals on the island of Silmido to kill Kim Il-sung for a suicide mission to redeem their honor, but was cancelled, leaving them frustrated. It is loosely based on a military uprising in the 1970s.

A compendium of three short science-fiction films, each with a decidedly feminist slant.

Each of the four short stories, framed by the figure of the photographer, depicts the lives of women and girls whose work has brought them to the limelight, but also marked their relationships with those closest to them.

An anthology of tales from Hong Kong.

First, the tale of a doctor who hides the accidental death of his son. Second, the story of a sculptress who kills and makes a sculpture out of a habitual sex offender who breaks into her home. Third, the story of a detective who administers euthanasia to satisfy the wishes of a terminally ill younger brother. Last, the tale of a young girl who develops psychological problems after her mother is killed by her abusive father

Three stories from the school environment, mostly from the perspective of teachers. In the first story we see an unnecessarily strict teacher, in the middle one a sports career is glossed over, which causes a young teacher to leave his job. In the final story, on the other hand, an experienced high school teacher goes to teach in a rural school to gain inner peace.

A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

A year after the death of his paternal grandmother at the age of 101, filmmaker Martin Villeneuve brings her back to life using a special talent.

During the late 1980s, two detectives in a South Korean province attempt to solve series of gruesome rape-and-murder of young women.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.

After defecting from North Korea, Loh Kiwan struggles to obtain refugee status in Belgium, where he encounters a dejected woman who has lost all hope.

In 2029, an elite police squad combats an anti-reunification terrorist group while another enemy lurks nearby.

Two stories from the lives of border guards. In the story "The Pursuit", an experienced border guard and his young and inexperienced colleague follow the tracks of ski boots in a snowstorm. The second story, Wandering, is about a frontiersman whose wife wants to go inland with their child.

Crossroad is a first -of-its-kind portmanteau movie celebrating womanhood and tells the story of ten women, facing ten different life situations and explores how they tackle it. The movie encompasses ten feature films of fifteen minutes each, with each featuring prominent female artists from Malayalam film industry as the protagonist and is directed by a prominent Malayalam filmmaker. The movie showcases the vibrant facet of each woman and tells the story from her perspective.