Primitive

Jours de mes années

A Sentença

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

The video is a series of short pieces of very buff nude people. The models don't speak, and the backgrounds are solid colors, with no decorations to let you know where the models are. So these nudes are, if not truly in limbo, certainly no place you can describe. In each short piece, the model is/models are performing some G-rated activity that shows off their body: a gymnast man works out on the hanging rings, two women hold in front of them a gauzy cloth that is being blown by an off-camera fan, a blonde runs a fluorescent tube down the length of her body, etc.

THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)

Esther, a film composer going through a dry spell, moves in with her boyfriend Michael only to find out that he still keeps his Ex-girlfriend's belongings in his closet. What follows is an emotional roller coaster of a film exploring the great lengths an artist chooses to go to for the sake of inspiration.

A transparent look into the life of Iranian immigrants in America. Sholeh and her husband Nasser carry out their evening routine in a ritual they are both accustomed to but nonetheless deeply grateful for.

A fisherman throws himself into unknown waters, where fish have long gone, wrapped in silent mystery. In this journey without return the landscape sometimes assumes the role of the other and the other soon reveals the reverse or a mirror of him self in the ineluctable solitude of the horizon.

Moscow, the 90s ... A city without a past and without a future. A city that doesn't forgive mistakes. Showing Moscow bohemia, the criminal business: nightlife, easy money, excitement and confusion form the surface of this life. The main characters of the film are businessman Mike and his friend and partner in smuggling Lev, a psychiatrist Mark and his school friend Irina who became the mistress of a nightclub, her two daughters - a crazy Olga working in the same club as a singer, and Masha - the “Moscow Princess” on the threshold of her thirtieth birthday. Love stories smoothly flow into a crime drama.

A teenager decides to shut himself off from the world around him after receiving bad news.

A series of loosely related sequences representing a wandering train of thought.

Forough is a middle aged woman whose husband has temporarily married with another woman. Even though that was kept secret from her, but his action is considered legal in Iran. Now the husband is in prison, due to not being able to pay second wife’s “Mehrieh” (the bride’s marriage portion).The second wife intends to receive her Mehrieh by asking the court’s permission to sell his house. Forough, the first wife, in order to not lose her home, intends to sell all she has to pay for her husband’s debt and release him from the jail.

A man and a woman relive moments of their lives transfigured on the landscape of a beach. Past, present and future merge in the cadence of the waters, which come and go revolving memories and old silences. So the characters go through a sort of trail of desire, leading the edge of the abyss of themselves, where all days born and die, the horizon of all passes, all eventides.

Four friends spend a final summer together tangled in a web of sexual obsession, alienation and magic.

A young toymaker tries to make sense of the impermanence of life that he has been forced to acknowledge through experiences of separation and death.

Waking up in a locked room, a prisoner must overcome their personal demons in order to move on from heartache and earn their freedom.

Short experimental film in black & white. A young girl learns to appreciate her beauty through the help of a mysterious stranger... Will this be the key to her happiness?

The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos.

Bright Shadow (Persian: سايه روشن‎‎) is a 1997 Iranian drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)

Tunnel 18 (Persian: تونل 18‎‎) is a 1997 Iranian Historical drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)