A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.
A hotheaded youth in 1880s Meiji Japan apprentices to judo master Shōgorō Yano, trading brute jujutsu bravado for discipline and humility. As Sanshirō matures, he proves judo’s spirit against old-guard challengers—including a deadly duel—while falling for his vanquished opponent’s daughter.
"Grace" is a story about the fragments of life of one family, their habits and their decisions. The daughter is forced to sacrifice herself to take care of her mother. Or is that her choice?
A grease monkey discovers a defect in an auto engine being turned out by his employer. But since our hero discovers this only after losing an important race, his boss chalks up the loss to Fairbanks' supposed cowardice.
A policeman falls for a teacher, and befriends her students. A gang of bootleggers threatens his newfound joys.
War drama - Fitzmaurice was able to film King Victor Emmanuel III and Benito Mussolini reviewing Italian troops.
Nancy Carroll stars in Manhattan Cocktail as Babs, a college coed who dreams of becoming a famous actress. Joining up with her campus chums Fred (Richard Arlen) and Bob (Danny O'Shea), likewise aspiring thespians, Babes heads to Broadway with stars in her eyes. The winsome threesome are quickly disillusioned by the heartless machinations of nasty producer Renov (Paul Lukas) and his harridan wife (Lilyan Tashman). Before the plot proper gets under way, the audience is regaled with a cute "mythological" prologue, featuring the same three leading actors. Manhattan Cocktail was a silent picture, except for two brief musical numbers showcasing Nancy Carroll.
Successful middle-aged manufacturer Frank Parry takes a business trip to New York, where he becomes infatuated with Eva Boutelle, manager of the Swansea Cotton Mills. For a time, their affair develops, but Eva remains true to her husband ...
Artist Standish using his wife Mary as his model finishes a painting of the Madonna. When the Connoisseur and the Parishioner inspect the picture, the Connoisseur tells Standish that the model was a one-time paramour. Buying the painting they depart. Standish confronts Mary, who tells him that she believed herself legally married to the Connoisseur. Unbelieving he ejects her and their baby son. Penniless Mary leaves her boy on the steps of a monastery. Years later before becoming a monk the boy is sent to see the world. Wandering into a café he is seduced by Beauty as the other inmates of the place, Lust, Rum, Avarice and Passion dance around him. The proprietor enters; it is Mary. Recognizing the crucifix, she left with him as a baby she persuades him to go back without revealing her identity. After he becomes a priest Mary, now a bedraggled old woman enters his church. She recognizes him and just before she dies her son gives her absolution.
Ranch hand Tommy Dawes has a special bond with little Rosemary, the crippled daughter of his boss Bill Nyall. When Tommy accidentally breaks Rosemary's favorite doll one day, he borrows a $20 gold piece from the foreman's mattress to go to town and buy a new doll. However, on the way there he is ambushed and robbed by an escaped convict
A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.
Hoping to consolidate their adjoining ranches, Don Fernando and Don Diego betroth their children, Ramón and Dolores, although Ramón is in love with Suzanna, the daughter of a peon on his father's ranch, and Dolores is interested in Pancho, a toreador. When Suzanna learns that she was kidnapped in infancy and is really Don Diego's daughter, she keeps silent; but Ramón finally rebels and steals Suzanna from the altar as she is about to marry Pancho. There are explanations, Ramón marries Suzanna, and Dolores marries Pancho. Suzanna (1923) has been mastered from a good quality but incomplete 35mm print.
FRAGMENT | The Family Steffensen lives on a farm in Southern Jutland. The area has been under German rule for 60 years, when WW I suddenly breaks out. The possibility of regaining the lost land brings new hope to the border people, but the poor Steffensen's farm is threatened by compulsory sale. Secretly, the youngest son runs off to Denmark to get money, but he doesn't make it back before his parents are forced out of their home. Surprisingly, the family's farm laborer has come into money and acquires the farm. The restored film is only a fragment of the original film. The fragment consists of the film's ending, where it's exposed who the mystical farm laborer really is. (stumfilm.dk)
When his ne'er-do-well brother embezzles the commissary funds of their cavalry unit stationed in the Sudan, a British soldier takes the blame for him. He winds up deserting his post and joining up with a traveling vaudeville troupe. He falls in love with a pretty young woman in one of the show's acts but finds that a local Arab sheik has his own plans for the young girl.
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.
Billie Dove, as Elena, pulls out all stops as a Russian princess and a woman-of-the-streets in Paris in an exotic romance and hand-wringing drama set in two countries and the way-stations in between.
A man searches for a cursed emerald belonging to his ancestor. Lost film, minor fragments survive
Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.
A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.
A couple of boy gangs in Budapest constantly fight over the neighborhood turf.