Just Don't Fuck!

A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

The coastline of East England is vanishing before our eyes. As cliffs crumble and roads disappear, the land carries stories of the past and the uncertainty of the future. The sea is always present

Tania and Cocteau, a cat that comes from the not too distant future, tell the story of the passage of animals through the world and their relationship with humans.

A tribute to the late Pat Schulz, an influential Canadian feminist.

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

Mira-futuro

From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

For one-night-only blood was spilled in the mud.

The documentary depicts the birth of eugenics - a pseudo-science created in the 19th century that propounded the theory of perfecting the human race. According to the views of eugenicists, only healthy and creative individuals should reproduce. The film shows how these controversial ideas influenced the intellectual and political elite of the West in the 20th century, including the dictator of the Third Reich, Adolf Hitler. Eugenics is a pseudoscience created in the 19th century and treating the improvement of the human race. According to eugenicists, only healthy and creative individuals could procreate, and the procreation of the sick or disabled and racially unworthy (prostitutes, the poor, beggars) should be forbidden. The author of the film posits that modern genetics, the killing of unborn children and euthanasia have their roots in this infamous pseudoscience.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

An account of the journey that King Alfonso XIII of Spain made to the impoverished shire of Las Hurdes, in the province of Cáceres, in the region of Extremadura, in 1922.

The Veterans of Foreign Wars as a fraternal and social organization, with emphasis on their projects that benefit community life and cohesion.

Original 35mm nitrate negative film shot by naturalist David Fleay at Beaumaris Zoo, Hobart in December 1933. Colorized by Samuel François-Steininger at the Paris-based, Composite Films, from a 4K scan of the negative by the National Film and Sound Archive Australia.

It's a misjudgment in a millisecond. The consequence is a free kick and Germany wins the World Cup match over Sweden 2018. A violent wave of hatred hits Jimmy Durmaz in social media. A year later, he lets us into his life and talks about his struggle to be Swedish and reach the top as a football professional.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

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Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.