Tenor saxophonist Jimmy McGary was a major presence in the Cincinnati music scene from the 1950s until his death in the early ’90s. With music rooted in Bebop with a progressive slant, the Jazz legend was a session player for King Records and released his first album as a bandleader — The First Time (with a quartet that included pianist Pat Kelly) — in 1979. McGary’s spirit and legacy have lived on well after his passing and well beyond Cincinnati, as evidenced in this new documentary film.
All You Can Eat is a brief yet captivating short film that highlights the hungry moments shared between Brylee and his partner as they enjoy a sushi date together at Trapper's Sushi.
Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
One of comedian Richard Pryor's later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows. Filmed at the Saenger Theatre in New Orleans.
A Film About Kids and Music is a project arising from a music class. Conducted by Joan Chamorro, the big band brings together children between 6 and 18 years old, around a classic jazz repertoire with lots of swing, which gained the public’s attention and sold-out some of the most important music auditoriums in Spain.
A documentary featuring archive footage to celebrate the 100th birth of jazz legend Louis Armstrong.
The feature-length documentary, TOOTIE’S LAST SUIT explores the complex relationships, rituals, history, and music of New Orleans’ vibrant Mardi Gras Indian culture while telling the story of Allison “Tootie” Montana, former Chief of Yellow Pocahontas Hunters. Celebrated throughout the New Orleans as “the prettiest,” for the beauty and inventiveness of his elaborately beaded Mardi Gras costumes, Tootie Montana masked for 52 years, longer than any other Mardi Gras Indian. Yet Tootie Montana’s contributions to Mardi Gras Indian culture far exceed his artistic innovations and dedication. Through the example of his own achievement, he came to be revered for turning Mardi Gras Indians away from gang-style violence toward artistic accomplishment and competition. In the aftermath of Katrina, TOOTIE’S LAST SUIT bears witness to the Mardi Gras Indians who, in picking up the threads of their torn lives and tradition, are the spiritual healers of New Orleans.
Vipal Monga's first feature-length documentary chronicles an unprecedented series of concerts performed in February 2005 by the legendary jazz composer Lawrence D. Butch Morris. The concerts were in celebration of the 20th anniversary of Conduction, Butch's revolutionary technique for live music-making. Butch put on 44 performances in 28 days with 85 musicians pulled from all across New York's musical community. Along with footage from these remarkable concerts that span a full range of musical styles from big band jazz to funk to electronic and symphonic works. The documentary features some of the leading lights of the New York creative-music community, including Henry Threadgill, JD Allen, Brandon Ross, Graham Haynes, Howard Mandel, and Greg Tate. Although the film provides unique insight into New York's vibrant avant-garde music scene,
Elijah Jamal Balbed grew up in Washington DC in the midst of one of its most difficult eras, as its identity was being tested. As the city changed around him, his budding career as a musician exposed him to the people and music providing a voice and an outlet to the people of DC. Now tasked with preserving and sharing that tradition, Balbed reflects on balancing that responsibility with creating a musical identity of his own.
About Daniel Lanois, the Canadian musician and producer, during one of his most productive years in life, living and recording in New Orleans, LA. Daniel Lanois was born in Hull, Quebec. Sept. 19, 1951. His family moved to Hamilton, Ont. in 1963. In 1974 he and his brother Bob built and operated the Grant Avenue Studio, where he produced records by acts such as Martha and the Muffins, Parachute Club, Raffi, and Ian Tyson. In 1989 he released his first solo album, "Acadie". He also produced "Oh Mercy" by Bob Dylan and "Yellow Moon" by The Neville Bros. during the same year.
A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
This film by director Ramon Tort documents a unique moment in the life and career of Andrea Motis: the months preceding the recording of her first album in New York as well as what followed. A time filled with changes and emotions; from leaving her parents’ home for the first time and start living by herself to embarking in a world tour that would take her to places like Japan, United States, Asia and Europe. A crucial time in a young woman's life, who is about to make the big leap…, but is she interested in success or fame? Andrea is not a conventional artist. She lives in the moment, enjoying the small things in life, every day in the most simplest way possible… An entire magical process that can only be understood through her music.
Legendary Brazilian composer and singer Antônio Carlos Jobim delivers a masterful performance at the world famous Montreal Jazz Festival in July 1986.
Tenor saxophonist, composer and producer Kamasi Washington and his band perform a special show at Harlem's legendary Apollo Theater for the theatre's 85th year anniversary. Washington explores Harlem's rich musical and cultural history and the city's influence on his generation of artists.
Kansas City PBS is proud to present a documentary that looks back at the years Charlie “Bird” Parker spent in Kansas City and his lasting legacy on the Kansas City jazz scene. Bird: Not Out of Nowhere features rarely seen archival footage of Parker, interviews with musicians and historians, and live performances from Kansas City’s most talented jazz musicians.
A son seeking to fulfill his late father’s dream takes his band from the storied city of New Orleans to the shores of Cuba, where — through the universal language of music — dark and ancient connections between their peoples reveal the roots of jazz.
Prestigious guitarist Stanley Jordan is well-known for his exclusive use of the guitar: His 10 fingers run along the neck of the instrument, creating special sound effects similar to those created by a keyboard. This video filmed at the XI Montreal International Jazz Festival presents Jordan's spectacular guitar solos, confirming his immense talent (as if any confirmation were necessary!).
The emblematic festival Jazz à Vienne welcomes each year more than 200 000 festival-goers and 1000 artists. This documentary retraces the history and relives the highlights of the festival, since its creation in 1981 by Jean-Paul Boutellier, Jean Gueffier, Pierre Domeyne, Jean-Pierre Vignola and George Wein. The greatest jazz musicians have performed there, such as Miles Davis, Michel Petrucciani, Ella Fitzgerald, Sonny Rollins, Lionel Hampton, Dee Dee Bridgewater, Herbie Hancock, Chet Baker, Dizzy Gillespie. So much so that in four decades, Jazz à Vienne has become one of the most important jazz festivals in the world, open to all styles.
Gerry Weil: Una historia de jazz
The multi-award-winning Finnish documentarian Mika Kaurismäki, brother of Aki Kaurismäki (The Man Without a Past), helms the nonfiction work Sonic Mirror -- a protracted exploration of rhythm as one of life's driving forces. Revered drummer Billy Cobham serves as host, taking the audience on a long musical journey around the world and through a myriad of musical genres and styles. Cobham, Kaurismäki, and co. segue from Western concert halls and stages to the music of African tribes performed by Brazilian street children to the distinct music of autistic patients. Along the way, the filmmakers raise serious questions about the function of music as an identifying force, a means of communication, and an emotional release; they also probe the enduring connections between group awareness and self-awareness. The film ultimately builds to a hugely affirming and cathartic expression of music as collective expression that unifies its performers in spirit.