An exciting video tour of Amsterdam.
21st century legal prostitution through the frank stories of Amsterdam red-light district sex workers at a time when tighter regulation threatens their livelihood.
Bas Jan Ader rides his bike into a canal in Amsterdam.
The A’dammer - The Man Behind the Cabinet follows the life of designer Aldo van den Nieuwelaar. He designed the iconic A’dammer cabinet, an international design icon, with over seventy versions sold worldwide. Museums acquired his work, and he became a promising name in the design world. But Aldo was more of an artist than an entrepreneur, and his perfectionism clashed with commercial interests. His tense relationship with director Harm Scheltens of furniture manufacturer Pastoe, in particular, escalated into a years-long legal battle over money, recognition, and control.
In the late 19th-century, the Tippel family moves to rural Stavoren in search of greener pastures. However, their dreams are quickly shattered, as teenage Katie is terrorized by a male-dominated society who only see her as an object. Her situation worsens when, following her father's sacking and her elder sister's descent into alcoholism, her mother decides that, rather than starving, Katie becomes a prostitute.
Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.
The working-class Tuindorp Nieuwendam neighborhood in Amsterdam-Noord is like a village within the city. Many natives of the Northern Netherlands still live in the characteristically built houses, a unique variation on the Amsterdam School. With humor and Amsterdam directness, they share their stories about what's happening in their lives and in the neighborhood. Recently, a new generation of residents has also discovered the Noord district. How do residents view these changes and the neighborhood's transformation? Was everything better in the past, or are new connections emerging between residents, old and new?
In their practice, lawyers Klaartje Freeke and Wikke Monster strive to make the criminal justice system more humane. They encourage their clients not to focus solely on guilt and the sentence imposed, but also to consider the impact of what happened and their feelings about it. In every session, they seek to help their clients experience the benefits of looking not only at others, but also, and especially, at themselves.
In 2023, there were an estimated 30.6 thousand homeless people. This number continues to rise at an alarming rate. One of them is the headstrong Ruurdt. He has difficulty getting help and cannot adapt well to our society. He is now also in danger of losing the houseboat that was assigned to him. 'Ruurdt' is an intimate portrait of a man on the fringes of our society.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
A documentary about three men in the criminal environment of Amsterdam as they deal with unemployment, probation, and divorce.
The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.
The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.
About the work of providing the growing city of Oslo with a network of tramways to the new suburbs: the Lambertseter Line, the Østensjø Line to Bøler, and the Grorud Line. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
Amsterdam's world-famous red-light district is the fascinating backdrop to the story of plucky prostitute Lina as she searches for Mr Right. Lina thinks she has found true love with American punter Sean, but she may be treading a fine line between fantasy and reality. Could Sean be her Prince Charming or will she end up heartbroken? With hard-won access to this notoriously secretive, hidden world, Sexwork, Love & Mr Right will be a revealing and thought-provoking documentary with multiple supporting narratives from experienced punters to wise madams. As streetwise sexworker Lina navigates the highs and lows of her precarious new relationship, the film asks can sexworkers ever really find true love?
Sanyo Electric Tramway carried 586 million people through Shimonoseki City over the 45 years of operation, from 1926 to 1971. Based on colour footage and photographs taken by former city employee Seiichiro Tomura using an 8 mm camera on the last day of operation, and featuring rare audio recordings of the train interior and the farewell ceremony, this documentary is a nostalgic look at the history of the city.
First film by Pim de la Parra, about a young Surinamese man in Amsterdam who delivers a “monologue interior” about his dissatisfaction with society and his position as an outsider.
Rotterdam 2040 is a film about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t always been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his personal vision, which is sometimes radical or a little absurd. So no experts and no talking heads, but an assault of old and new imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is actually a film about people. The subjective experience of the city by its (future) occupants mainly determines the parade of architectural blunders and suggestions for the future. All tongue-in-cheek of course.
Eighteen-year-old Sofie is looking for a room in Amsterdam. So she has to interview for them. Time and again she has to convince the residents of student houses that she is the most suitable candidate for the vacant room. The competition is fierce, the residents are ruthless. Who is accepted by the group, who is rejected? How far will the candidates go? And what does that process of judging and being judged do to Sofie?
A celebration of 100 years of Sparta Rotterdam's classic stadium.