1964-1968 Trams in Amsterdam, Rotterdam en Den Haag

Private-sector rented accommodation for the Surinamese and Antillean Dutch who increasingly moved to Amsterdam from these former colonies in the early seventies was woefully inadequate. In 1982, André Reeder graduated from The Netherlands Film Academy (NFTVA) with Onderneming onderdak (The Price of Shelter) – a documentary about this appalling situation.

The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.

Jakob Yzermans is an American salesman looking for his roots in Rotterdam. He thinks his father (Hendrik Yzermans) has left Holland with the money he took from his collegues. Jakob is trying to get the money together to repay the money. While doing so he encounters more and more problems.

First film by Pim de la Parra, about a young Surinamese man in Amsterdam who delivers a “monologue interior” about his dissatisfaction with society and his position as an outsider.

Pak Mokum Terug is the name of a group of Amsterdam activists that refuse to accept that the basic right to housing no longer appears to apply. The group’s name means “Take Back Amsterdam,” Mokum being the traditional nickname for a capital city in which today, for more and more people, a home is becoming unaffordable. Against this background, Hotel Mokum reports on the squatting of a dilapidated hotel in the city center, narrated in the voice of a fictitious activist.

Documentary about fashion designer Fong Leng.

Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.

Nigella returns for a very special Christmas treat when she travels to Amsterdam to enjoy the festive season in the Venice of the North.

400km à pied jusqu'à Amsterdam (le plus gros défi de ma vie)

Shots of pre-war Rotterdam, both the city and the port.

Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

Presents a day in the life in Amsterdam, a city in transformation, captured shortly after the turn of the millennium, and shortly before the digital revolution would speed up the pace of life considerably. Shot in a fly-on-the-wall style.

This fascinating record of Edwardian Nottingham was filmed from the driver's platform of a tram on a single journey through the city centre between its two main stations. The sequence follows the same route as today's Nottingham Express Transit tramway, taking the viewer along Listergate and Wheelergate into Old Market Square before turning right into Long Row and on into Queen Street.

When Germany invades Holland in 1940, a British intelligence officer and two Dutch diamond merchants go to Amsterdam to persuade the Dutch diamond merchants to evacuate their diamond supplies to England.

Raml Station is one of the most famous places in all of Alexandria. This documentary captures the beauty of Raml Station.

Secret Courage: The Walter Suskind Story

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

De Kinderen van Amsterdam

Sanyo Electric Tramway carried 586 million people through Shimonoseki City over the 45 years of operation, from 1926 to 1971. Based on colour footage and photographs taken by former city employee Seiichiro Tomura using an 8 mm camera on the last day of operation, and featuring rare audio recordings of the train interior and the farewell ceremony, this documentary is a nostalgic look at the history of the city.

Eighteen-year-old Sofie is looking for a room in Amsterdam. So she has to interview for them. Time and again she has to convince the residents of student houses that she is the most suitable candidate for the vacant room. The competition is fierce, the residents are ruthless. Who is accepted by the group, who is rejected? How far will the candidates go? And what does that process of judging and being judged do to Sofie?