An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.
An experimental surrealist short film created by Grant Clover and Michael Metzler Jr.
Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .
"Wyspa R.O" is a highly personal story about freedom, fate and love as well as Lenica's personal creative testament. The allegorical story, full of symbols and the author's quotes, tells of a secret corner of the world which was once inhabited by convicts, where only one lonely guard remains. Lenica was one of the most important creators of Polish poster art and his films have been honored at many international festivals.
On a bleak island where monolithic concrete buildings rise above the windswept horizon lies work-colony #191286. Piwonka is one of a handful of migrant workers who are forced to work here under harsh conditions. He has been estranged for two months from his beloved wife when a fatal incident at the main drilling-tower occurs. Piwonka has a recurring dream of his wife where it feels like she's trying to communicate with him, to warn him perhaps, or guide his way.
Forced to confront adulthood, a teenage girl detached from reality prepares to leave her childhood home.
Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.
In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.
A Lynchian depiction of self-transformation in the social media age. Steeped in saturated colour, unnerving cinematography and bold sound design, this chamber piece depicts a young woman’s confrontation with impostor syndrome and racialised beauty standards.
Step into the labyrinth of your own thoughts with this short film. In this captivating journey, we explore the intricate web of emotions and memories that can trap us within the recesses of our own minds.
The Guy has something to hide but when his girlfriend gets home to early he is forced to act quick!
Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.
A coming of age tale. A young boy, on the outer of the outer, at the edge of the edge, in a nameless place, discovers the faster he goes, the closer he can get to outrunning his loneliness.
A depressed man contemplates the imminent end of the world.
A boy dreams about a girl who he is in love with.
Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.
The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.
An abstract exploration of memory and loss.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.