A depressed man contemplates the imminent end of the world.
A man seeks revenge after the murder of his girlfriend.
Mindy suspects that her ex is up to no good.
A grieving choreographer tries to connect with her deceased partner through ritual dance, pushing her body beyond its natural limit until it breaks.
The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.
Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.
A boy dreams about a girl who he is in love with.
In this silent short film, we follow three stories grappling with grief. As the characters within these stories take action and process their feelings, we see the intertwining nature of these peoples lives.
"We follow Detective Rodriguez on a case that will take him to new and abstract places and feelings"
A disillusioned young man enjoys the beauty of the last minutes before Tomorrow.
A political assassination leads to division and chaos.
The world shifts subtly while silent watchers already understand.
In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.
A Lynchian depiction of self-transformation in the social media age. Steeped in saturated colour, unnerving cinematography and bold sound design, this chamber piece depicts a young woman’s confrontation with impostor syndrome and racialised beauty standards.
Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.
Disturbed by an irrational aversion to his house owner's unsettling left eye, man contemplates murder to escape the disturbing presence and restore peace to his disrupted lifestyle
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
In a desolate world of endless horizons, black-clad figures drift through shifting states of emotion, identity, and self.
A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.
When viewed from far away, life on Earth can seem meaningless. But when a star inhabits a dying girl, they experience the tragic beauty found at the moment when the light goes out.