An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.
The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.
Mindy suspects that her ex is up to no good.
Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .
"Wyspa R.O" is a highly personal story about freedom, fate and love as well as Lenica's personal creative testament. The allegorical story, full of symbols and the author's quotes, tells of a secret corner of the world which was once inhabited by convicts, where only one lonely guard remains. Lenica was one of the most important creators of Polish poster art and his films have been honored at many international festivals.
In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.
Santa Inocencia
The journey before the inevitable, the clock starts ticking, life begins and ends.
Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.
Silent Breaths Beneath Electric Glow is an evocative exploration of beauty and solitude, set entirely within a neon-lit aquarium. Through mesmerizing visuals of luminous marine life and the soft hum of electric currents, the film captures the quiet poetry of existence behind glass walls. Each frame radiates a dreamlike melancholy, celebrating the fragile connection between life and its artificial surroundings. A meditative journey through light, color, and the silent breaths of a world suspended in electric glow.
Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.
On a bleak island where monolithic concrete buildings rise above the windswept horizon lies work-colony #191286. Piwonka is one of a handful of migrant workers who are forced to work here under harsh conditions. He has been estranged for two months from his beloved wife when a fatal incident at the main drilling-tower occurs. Piwonka has a recurring dream of his wife where it feels like she's trying to communicate with him, to warn him perhaps, or guide his way.
A political assassination leads to division and chaos.
An experimental visual piece delving into concepts like afterlife and existence in an abstract but accessible way.
How heavy is an emotional relationship in TRANSit? Giving love? Losing love? Having, in my chest, not only a heart but also longing? That's why I record you this: for us to continue.
Short film about the inability to sleep, or to remain asleep throughout the night.
An abstract, experimental, personal reappraisal of experiences and crises - the project was the result of an experiment.
Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.
An abstract exploration of memory and loss.