everyday star

An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

Silent Breaths Beneath Electric Glow is an evocative exploration of beauty and solitude, set entirely within a neon-lit aquarium. Through mesmerizing visuals of luminous marine life and the soft hum of electric currents, the film captures the quiet poetry of existence behind glass walls. Each frame radiates a dreamlike melancholy, celebrating the fragile connection between life and its artificial surroundings. A meditative journey through light, color, and the silent breaths of a world suspended in electric glow.

In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

In this silent short film, we follow three stories grappling with grief. As the characters within these stories take action and process their feelings, we see the intertwining nature of these peoples lives.

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

How heavy is an emotional relationship in TRANSit? Giving love? Losing love? Having, in my chest, not only a heart but also longing? That's why I record you this: for us to continue.

An abstract journey through the unconscious in transition of a protagonist stretched out on the asphalt, on a Sunday

Born blind, an individual gains sight through surgery. Thus begins a visual encounter — the first of their life.

When viewed from far away, life on Earth can seem meaningless. But when a star inhabits a dying girl, they experience the tragic beauty found at the moment when the light goes out.

In a desolate world of endless horizons, black-clad figures drift through shifting states of emotion, identity, and self.

An abstract and detailed observation of a young life told through a series of observational montages. Part of the 'Technicolour' series of films from Lot 108 Productions.

"We follow Detective Rodriguez on a case that will take him to new and abstract places and feelings"

Protagonist faces emotional dichotomy, after a recent relationship breakdown, about to record a film project

A young man from Toronto, struggles with connecting with his culture, as he wishes to write and read his mother tongue. When his wish gets granted, he realizes it backfires as everything he writes and reads is in his mother tongue.

Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.