Det svåra livet

KOMO Anchor Eric Johnson takes an in-depth look at the impact the drug and homelessness problem is having on our city and possible solutions in "Seattle is Dying," a news documentary that aired on KOMO-TV in March, 2019.

Journalist Jenny Eliscu and filmmaker Erin Lee Carr investigate Britney Spears' fight for freedom by way of exclusive interviews and confidential evidence.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

Survivors of violent crimes and prisoners incarcerated for murder connect to undergo astonishing transformations, liberating themselves from the debilitating constraints of trauma, and shattering preconceptions of "us and them."

A shocking act, its baffling legacy - the gripping true crime doc. When Mrs Bobbit cut off her husband's penis in 1993, similar cases followed. Why?

Filmmaker Amy Berg sheds light on the sexual, financial and spiritual abuses heaped upon members of the Fundamentalist Church of Jesus Christ of Latter-day Saints by their former leader, Warren Jeffs.

Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.

During the 1980s, claims of satanic ritual abuse ran rife throughout the western world, uncovered by hypnotic therapists and perpetuated throughout the media, including high-rating television talk shows. In Demonic, filmmaker Pia Borg delves into this bizarre chapter of history, examining the elusive line between fact, fiction and the persuasive power of the media.

From the glitzy sidewalks of Hollywood Boulevard to the urban wasteland of Skid Row, "Forgotten" portrays the cruel reality of being homeless in Los Angeles and how these men and women cope with life on the streets of one of America's largest cities.

Forced onto the streets in her 50s, Marie found "home" at a Santa Monica laundromat. Taking shelter there for 20 years, Mimi's passion for pink, and living without looking back, has taken her from homelessness to Hollywood's red carpets.

This documentary portrays the front-line street workers who serve the needy under the umbrella of the Salvation Army. Shot in Toronto at Christmastime, the film chronicles the small hopes and tiny victories of life lived below the poverty line and the daily rewards for those who work to serve others.

Ten years after documentary filmmaker Tom Alandh started filming homeless drug addict Pia Sjögren, he makes his third and final film about her. Pia was 14 years old when she started smoking cannabis and using drugs. Then it all happened really fast. The heavier drugs, the men who beat, and years of cold nights in basements and attics. Treatment and punishment. Rehabs and prisons. Relapse. Constantly back, at the complete bottom, among shame and guilt. For ten years, Tom Alandh and photographer Björn Henriksson documented Pia's life. Two films were made, this is the third and last film, which shows how she managed to get clean against all odds.

Every year in Quebec, 25,000 reports of children being beaten, sexually abused or abandoned are retained by the Directorate of Youth Protection. And nearly 40% of babies who die in the province to die because of the violence of their parents. This explains the fact that nearly 30,000 children are supported by the DPJ until the age of 18. But this government agency is in a position to meet the needs of young people? Journalist and documentary filmmaker Paul Arcand presents the testimonies of children and adult victims of abuse of all kinds, and interviews politicians, social workers and members of the judiciary on their perception of the problem. In addition, Arcand denounces the carelessness of a bureaucratic system that does not always seem to be concerned about the well-being of those for whom they are responsible.

The homeless, underground residents at a post-communist train station and their intimate confessions. A film not about misery, but the lust for life and color even at the depths of human despair.

What started for fifteen-year-old Manon as a secret holiday romance at an all-inclusive resort, slowly turned into a memory that she looks back on with less pleasure. She fell in love with Hugo, the big star of the animation team. He wrapped her up with beautiful words, that she was special to him. Although Hugo was much older than Manon, he still had sex with her. At first it felt good, but slowly it turned into a memory that she would rather not think about anymore. What happened during that holiday and how could it have happened? She goes looking for answers and comes face to face with Hugo.

It has been three years since Tom Alandh made the film "Det svåra livet" about homeless drug addict Pia. This film shows what has happened to her since.

What if democracy fails citizens by not serving them all equally? What if inequality becomes the norm and the most vulnerable citizens are left behind with no money, no home, no rights, and no country of their own? In Hungary, the government has slashed social benefits and criminalized homelessness, but a group of activists, homeless and middle class, is confronting authorities to defend social justice and their right to be citizens. After the tragic death of two of its founding members, the group feels that Hungary is growing more hostile and their struggle is more important than ever. Despite all odds, their own community keeps them going—a mini-society with democracy and solidarity at its heart, an island of hope, belonging and dignity in a society gradually shifting the other way.

This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.

A documentary view of an encampment of homeless people on the outskirts of Nashville, Tennessee in the Southern United States.