The Suicide Club

A son tries to overturn the disgrace of his father, who committed suicide.

On a beach in southern Italy, Gianna Russelli practices her dancing with her devoted brother Russino, looking forward to the day when she will begin formal dance studies. One day the beautiful Countess Michetti comes to the village and engages in a flirtation with Russino, but when her former lover, Prince Viscomte, arrives with his closest friend, Count Paul Trovelli, the countess resumes her affair with the prince.

Cameo Kirby is a 1914 American drama silent film directed by Oscar Apfel and written by Clara Beranger and William C. deMille. The film stars Dustin Farnum, Fred Montague, James Neill, Jode Mullally, Winifred Kingston and Dick La Reno. It is based on the play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film was released on December 24, 1914, by Paramount Pictures.

In San Juan, Puerto Rico, The Drifter, young and educated, and The Seeker, old and feeble-minded, meet and form a partnership. The Seeker meets Rosario, unaware that she is his daughter, left there 20 years previously when his mind was affected by a tropical storm that killed his wife and wrecked his home. Rosario is deeded land belonging to her father and is about to sell it to Clifford Fayne when The Seeker discovers gold there and urges her to desist. Fayne lures her to a cabin and tries to force her to sign the bill of sale; The Drifter and her father rescue her; the father is mortally wounded but lives long enough to learn that Rosario is his daughter and that she will be happy with The Drifter.

The daughter of a count and the son of a shoemaker, both Hungarian, fall in love in America. As they're about to marry, the young woman is called back to Europe. When her betrothed goes after her, difficulties ensue.

In Africa a typist is framed for killing a diamond smuggler who betrayed her father.

Seventh entry in the Leather Pushers series of two-reel shorts.

Kane, who does not want his father to know he is a fighter, thinking he objects, nearly loses the fight when he sees him at the ringside. In the end, it is the words of encouragement from his father which causes him to win. It develops that the "Kid's" father has known it all the time and has been getting reports on his son's prowess in the ring. Eighth episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Kid Roberts, the champion, thoroughly beats a tough Westerner (from Chickasha, OK) who follows him from city to city, determined to get even. The man taunts the Kid, by insisting that he is afraid to fight without gloves. Finally his wife appears and begs the Kid to refuse to fight her husband because he is neglecting his ranch and family. The Kid's sweetheart and the ranchman's wife do some scheming and succeed in ending the fights, but not until the Kid has beaten his opponent with his bare hands. Ninth episode in the first 'Leather Pushers' series of two-reel boxing shorts.

The "Kid" is in the studio playing the star role in a "super-feature." The director gets his cast to put extra snap into the big scene by making each of the fighters think the other is double crossing him. 10th episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Eleventh episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Twelfth episode in the first 'Leather Pushers' series of two-reel boxing shorts.

13th episode in the first 'Leather Pushers' series of two-reel boxing shorts.

14th episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Fifteenth entry in the Leather Pushers series of two-reel shorts.

16th episode in the first 'Leather Pushers' series of two-reel boxing shorts.

Morganson's Finish was inspired by the Jack London story of the same name. The hero, Dick Gilbert is in love with wealthy Barbara Wesley but he is disgraced in her eyes through the underhanded machinations of his rival Dan Morganson.

Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.

Humanitarian Roberta induces her father to hire former convict, Bill, as his gardener. When she leaves on vacation, Bill steals her jewelry and eventually sells a brooch to her boyfriend, Richard, who unknowingly gives it to her as a present.

Betsy Thorne (Bennett) travels to investigate a missing man where she overhears a conversation between the sheriff and an imported detective that reporters are barred from the house and grounds where the mystery has taken place. She comes across a maid sent to the house from Richmond, and so frightens her that she gains a chance to act in her place. During the first night at the house she is terrified when she sees a ghostly figure come from the grand organ. The house is roused by her screams as she flees the room, and she is forbidden from going back there by the sister of the missing man. During the following night she is locked in her room during a thunderstorm, and while escaping through a window sees the ghostly figure again in the family graveyard. She makes an investigation which starts from a particular chord played at the grand organ. They find that certain keys cause a secret door in the organ to open, revealing a secret passage to a family tomb.