This narrated computer animation, with an original musical score, illuminates cellular mitosis. DNA self-replicates; chromosomes divide into two daughter cells; but it begins with a hormone entering the nucleus of a cell.
A closer look at the science of Human evolution, and how much early humans might've contributed to the extinction of large mammals during the Ice Age.
The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickels‘s construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.
Voz
Though our world is full of sound, we only notice the noise. Sound can thrill, delight, warn, and scare us. But there's much more to the story. Sound can cure the sick and make the blind see.
Experimental 8mm film by Karpo Godina.
Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.
Since 2003, human DNA has been completely decoded. Scientists are currently working on decoding all of the body's own proteins, the so-called Proteom code - this process is almost complete. From the results, medicine hopes new findings in the search for drugs against cancer, infections, and disease.
An experimental journey into nostalgia, media, and ownership.
With this film-manifesto, the two artists invent what they called the Cinéma corporel (Cinema of the Body), they present themselves as a "double auteur femme" and they lay the foundations of the radical critical and esthetical positions of their work to come. Double Labyrinthe has a mirror structure based on their "mutual gaze": in the first part Katerina performs while filmed by Maria and in the second part Maria performs filmed by Katerina.
In the mountains of Córdoba hides a historical scar. In 1575, hundreds of Hênia-Kâmîare women, children and elders jumped off in order to avoid slavery. A free, poetic view at the very place where the largest mass suicide in the history of the territory known today as Argentina took place. The film is a phantasmagoric trip within this geographical extension, taking it as a vast, green cemetery.
In his first film, Peter Nestler gives voice to an old floodgate. A nearby village, its inhabitants, wooden posts and twisted willow rods are presented from this unusual perspective. The floodgate ponders the fisher boats coming home from the sea along the shipping channel which is fed at low tide by a small river.
Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.
The core of the video is a pedagogical workshop on the Theory of Special Relativity as part of the educational process conducted by our youth leadership. Not for the sake of understanding the theory itself, but using Einstein's particular discovery as a case study to demonstrate and walk people through real human thinking, as being something above sense perceptions or opinions. We end with reflecting on the principle of relativity in terms of social relations and individual identities or thought processes, asking the question - how was Einstein able to make his breakthrough?
Based on the jaw-dropping contact accounts of individuals from around the world, AMONG US explores the suspicious phenomenon of non-human presence on Earth, from angels to ETs, and unveils the many ways they may be interacting, communicating and transferring subliminal information into our consciousness and potentially our DNA. The film ultimately shows that the interconnectedness of all species may be beneficial and most likely inevitable for the evolution of an intelligent universe. This film has been released in some territories under the title: "ET Contact: They are here".
"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice
Life in a rural industrial town: a teenage boy, his family, friends and failed attempt at love are investigated through stark black-and-white photography and static long takes. Filmed in a fusion of authentic and staged documentation, with robotic performances by actors and non-actors, the piece meditates on the mundane existence of human and animal life.
Jonathon "The Impaler" Sharkey threw himself into the race for Minnesota governor on January 13, 2006. His "coming out" to the media as a Hecate Witch, Satanic Dark Priest and Sanguinary Vampire grabbed international attention, and his candidacy marked the beginning of the largest amount of media coverage ever given to an unknown third party candidate running for governor in American history.