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In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.

Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.

A nervous and unsettling young boy takes a mysterious old suitcase across London... to a twisted and surreal conclusion.

An entire city has lost its voice. Mr. TV, the owner of the city's only television channel, is carrying out a sinister plan to control all of the city's inhabitants.

The daughter of a count and the son of a shoemaker, both Hungarian, fall in love in America. As they're about to marry, the young woman is called back to Europe. When her betrothed goes after her, difficulties ensue.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences. (stumfilm.dk)

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.

In Midnight Madness millionaire diamond miner Michael Bream (Clive Brook) discovers that the woman he’s marrying — funfair shooting-gallery hostess Norma Forbes — is a gold digger. So Bream decides to teach her a lesson, and forces her to live with him in the remote African outback where, eventually, she realizes her true affections.

Cameo Kirby is a 1914 American drama silent film directed by Oscar Apfel and written by Clara Beranger and William C. deMille. The film stars Dustin Farnum, Fred Montague, James Neill, Jode Mullally, Winifred Kingston and Dick La Reno. It is based on the play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film was released on December 24, 1914, by Paramount Pictures.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.