Igraszki z diabłem

Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.

In nine completed scenes, the saga explores the two hundred year history of the House of Staufen, whose rulers shaped the history of the Duchy of Swabia and the Holy Roman Empire. Count Friedrich von Büren and his son Duke Friedrick open the play. Duke Friedrick's son King Conrad III, Conrad's nephew Emperor Friedrick I Barbarossa, his sons Emperor Henry VI and King Philipp of Swabia and then Henry's son Emperor Friedrick II continue the dramatic events. With Frederick's son King Conrad IV and his son Duke Conradin, the glorious dynasty comes to an end.

An outlaw pushes the residents of Edo's red light district to rebel against a growing number of stifling, moralistic laws.

A raucous, angry exorcism of relationships and assorted fears, shadowed by the Big One: the plague of AIDS.

Charming and kind, Elwood P. Dowd has only one character flaw: an unwavering friendship with a six-foot-tall, invisible rabbit named Harvey. In order to save the family’s reputation, Elwood’s sister, Veta, takes him to the local sanitarium. But when Dr. William Chumley mistakenly commits anxiety-ridden Veta instead of her brother, it sets off a hilarious whirlwind of confusion and chaos as everyone tries to catch a man and his invisible rabbit.

A shrewd ex-prisoner runs a successful antique shop -- until his assistant discovers the collectibles are stolen goods and begins blackmailing him.

Live theatre presentation of Shakespeare's classic play about two teenagers from warring families whose love affair ends in tragedy.

Měšťáci

Théâtre de la Porte Saint-Martin , Paris From 16 janvier to 28 avril 2018. The Game of Love and Chance (French: Le Jeu de l'amour et du hasard) is a three-act romantic comedy by French playwright Marivaux. The Game of Love and Chance was first performed 23 January 1730 by the Comédie Italienne. In this play, a young woman is visited by her betrothed, whom she does not know. To get a better idea of the type of person he is, she trades places with her servant and disguises herself. However, unbeknownst to her, her fiancé has the same idea and trades places with his valet. The "game" pits the two false servants against the two false masters, and in the end, the couples fall in love with their appropriate counterpart.

Paní plukovníková

Balladyna

A young black artist leaves his Los Angeles digs and travels to Europe to find himself. A theatrical stage production of the original Broadway musical.

Les étés souterrains

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

"Resumption of a play created in 1983. Two shipwrecked people on a makeshift raft in the middle of a social conflict, a mountaineering fight on Mount Paterhorn, improbable friction between two men and a woman in the Yvelines ... The places, the situations change, but each time there is a confrontation. The question is not so much who will win, but to take pleasure in the arguments provided by the opponents. Cunning, bad faith, all blows are allowed in what is primarily a fight of words. "

The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?

Gennareniello, a crazy inventor, is married to Concettina and lives at home with his son Tommasino, full of tics, his spinster sister and with Matteo, a drawing master who makes plans for his inventions. Driven by his friends, the man courts the young teacher Anna and when his wife notices it, he is forced to run away from home, overwhelmed by the scorn of derision of friends and acquaintances who come to disguise him as a dandy, thus offending his dignity.

Thanks to the legacy of an English lord, the cobbler Andrea has become a baron and now has delusions of nobility: he wants a high-ranking marriage for his stepdaughter Virginia and does not recognize the brothers of his wife, Rosina and Michele, even after the latter has saved the his house from a fire. Virginia does not like her promised Marchese Alberto, but Felice Sciosciammocca, a shy and poor master of calligraphy, who reciprocates her. But when Felice learns that the girl will soon marry another, out of spite he accepts the court of the late Marquise Zoccola, Alberto's mother.

Lakomec

Valašské štěstí