Freiburg Kommunales Kino

Living images from the dead past help 'Tara' cope with her present, which is devoid of any contact with the outer world. But for how long can this self deception keep the body and soul together?

Set on a night out, UK rock band Wolf Alice decided to bring the music of their album Blue Weekend to life with this film.

A poetic essay. An Algerian soldier wanders through Algiers and the countryside, whilst a voiceover of the soldier's mother laments his death.

Carter Is struggling in school due to his video game addiction. When he doesn't take his professors advice seriously, a strange turn of events leave him in shock.

Filmed before his feature-length Arrebato, Zulueta’s Frank Stein is a personal reading of horror cult classic Frankenstein (1931), filmed directly from its television broadcast and reducing Whale’s original to only three packed and dizzying minutes, during which the film's sensitive monster evolves at an unusual rate.

The 1975 Super-8 short Aquarium is Zulueta’s first available incursion into the psychodrama—in which the filmmaker dramatises a disturbed state of consciousness—in which appear lyrical passages of the kind that will be made by the fictional experimental filmmaker played by Will More in Zulueta’s 1980 feature Arrebato. (Senses of Cinema)

Three filmmakers spend the night in a haunted forest to shoot a documentary about the legend of Grete Müller, a woman convicted of witchcraft and burnt at the stake over 300 years ago.

Russian researchers funded by the Soviet Union during WWII are testing an expirimental gas on subjects deemed enemies of the state. The experimental gas is meant to eliminate the need for sleep, but all goes wrong as the gas has unexpected effects on the subjects.

An animated short film, narrated by two asylum-seeking men detained in Australia's Manus Island Offshore Processing Centre, recounting the dangerous journeys that brought them to the island and their memories of the riot that erupted in 2014.

A celebration of the male form. A series of observations of men, filmed in beautiful black and white, with an almost total absence of the spoken word.

A documentary special taking a look at the upcoming films making up the DC Universe. Kevin Smith hosts with Geoff Johns, as they take a look at Batman vs Superman: Dawn of Justice, Suicide Squad, the upcoming Wonder Woman and Justice League movies.

Edward, Susan, and their son, Lino, live a nice life in the suburbs having all that their bourgeois life can afford. Then, one day and without warning, stinky, brown, "doughy" stuff starts appearing outside their expensive and luxurious home. Despite their son's pleas to get their hands dirt and clean it up, the parents insist that this is "someone else's job"

A filming exercise becomes a memory of young Nico's crush and fall for his classmate, Iris.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A reminder of the colourful, boundlessly animated exo-imagery that forms the DNA of the world we live in.

An young urban cowboy copes with the death of his best friend.

A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.