Down n'hi do - La càmera ballarina

Nathan Quinell is a fully trained chef… he also happens to be legally deaf and blind. That’s never stopped him from chasing his dreams to become a full-time cook, but now Nathan must prove himself to his peers, his students and potential employers.

On the cusp of turning 40, wheelchair badminton champion Nina Gorodetsky, has her first and maybe last, chance to participate in the Paralympics. However, she is negotiating a ticking biological clock both as a mother and as an athlete. What would she be willing to sacrifice to realize her Olympic dream?

Art, activism and disability are the starting point for what unfolds as a funny and intimate portrait of five surprising individuals. Director Bonnie Sherr Klein (Not a Love Story, and Speaking Our Peace) has been a pioneer of women's cinema and an inspiration to a generation of filmmakers around the world. SHAMELESS: the ART of Disability marks Klein's return to a career interrupted by a catastrophic stroke in 1987. Always the activist, she now turns the lens on the world of disability culture, and ultimately, the transformative power of art.

Vito is a sweet little boy with Down syndrome, and this short documentary puts his energetic, jolly personality on full display as he interacts with his loving family. By showing Vito’s dignity and inherent value, Vito-Man tackles the difficult conversation that is the eradication of people with Down syndrome, proving that an extra chromosome should not be a death sentence.

"letters to eleanore" is a poignant feature-length documentary that explores the intertwined journeys of two remarkable girls, Keith from Canto Grande in Lima, Peru, who bravely navigates life with cerebral palsy alongside her devoted mother, and Olivia from Litchfield, Minnesota, whose experiences highlight the stark contrasts in societal attitudes towards disability in their respective countries. As their narratives unfold, they are beautifully interwoven with the legacy of Eleanore and her family, whose life, untimely death, and the impact of her wheelchair ignited a powerful movement of hope for countless children and their families facing similar challenges. This film is not just a story of perseverance and love; it is a testament to the strength of community, brought to life through the collaborative efforts of volunteers, students, and communities across Peru and the United States, embodying a true grassroots style of storytelling that resonates with authenticity and compassion.

The Current tells the story of individuals from all walks of life that have faced incredible obstacles, found the drive to overcome their disabilities, and have through water sports become real everyday heroes. - Bethany Hamilton, Missy Franklin, Mallory Weggemann, Anthony Robles, Jesse Murphree

When filmmaker Yoshifumi Tsubota learns about his slightly autistic uncle who lives alone, he decides to visit him. Drawn to his uncle’s unique personality, he begins to roll his camera as he visits him over the years. Tsubota himself had been diagnosed with a developmental disability and so understanding his uncle is also an act of understanding himself. Through intimate and personal footage, this charming film is gem of a documentary that also highlights contemporary social issues surrounding aging and social care for the disabled.

La teoría del espiralismo

Sima Shimony, age 69, embarks on a mission to find her friends and staff from the "ALYN" Institute for Children with Disabilities, which was situated in the secluded San-Simon monastery in Jerusalem, during the 1960s. Armed with a small camera attached to her wheelchair, she sets off on a journey across the country together with her friend Pini Newirth, also a polio child, to unfold and reclaim the story of the children affected by the Polio epidemic. In a futile attempt to rebuild their bodies so they could walk, the children were subjected to excruciating medical procedures with no parents or family at their side. But growing up together forged a group of remarkable, self-driven women and men with disabilities who eventually launched the Disability Rights movement in Israel.

The fourth film in a long series about Martina Schaub, a woman with Down's Syndrome. Tom Alandh documented part of her life from age 5 to 50. In this film, she is in her early twenties.

Meet Matt Edwards, a lower-limb amputee boxer determined to break barriers and obtain his amateur boxing license—the crucial first step toward his dream of becoming a professional fighter. But the real fight isn’t just in the ring; it’s against a system that continues to put up obstacles, reflecting the everyday struggles disabled people face simply to be included in society.

This documentary is about Carlitos, a young man with mental disability who has a particular vision of the world and a tender sensibility. This documentary tries to show his way of perceiving the world and also his attempt to live to the fullest.

To the Least of My Brothers and Sisters is a new documentary on the life of Jerome Lejeune, the Father of Modern Genetics that was made to celebrate the 20th anniversary of his death. Filmed on two continents, it contains numerous interviews with former colleagues, families, current medical researchers, and others, all who express the importance of Jerome Lejeune in both the history of medicine and the defense of the dignity of human life.

Luca Patuelli is an internationally renown Bboy dancer known as LazyLegz. He born with Arthrogryposis, a disorder that makes the use of his legs almost impossible. For the past few years, he has been the head of a Hip Hop dance program: Projet RAD, an urban dance program in which he gives people with disabilities a chance to follow inclusive classes in a safe environment adapted to their needs.

A feature documentary following Antonio de Benedetto, an Italian chef on a quest to change the world with food. His apprentices are aspiring chefs with Down syndrome, who travel from across Italy to train and work in hospitality and take their place at the table of life and find their pathway to freedom and independence.

A compelling British documentary following ten amateur athletes as they train for and compete in Ironman 70.3 Swansea. With themes of resilience, inclusion, and mental strength, the film is directed by Raymond Mouzon and edited by 18-year-old autistic filmmaker Sean Smith.

As a visibly disabled person, filmmaker Reid Davenport is often either the subject of an unwanted gaze — gawked at by strangers — or paradoxically rendered invisible, ignored or dismissed by society. The arrival of a circus tent just outside his apartment prompts him to consider the history and legacy of the freak show, in which individuals who were deemed atypical were put on display for the amusement and shock of a paying public. Contemplating how this relates to his own filmmaking practice, which explicitly foregrounds disability, Davenport sets out to make a film about how he sees the world from his wheelchair without having to be seen himself.

A professional company of actors with disabilities defies expectations by taking center stage in Chicago the musical.

For decades in Toledo, Ohio, Lott Industries has excelled at manufacturing small car parts. All 1,200 Lott employees have developmental disabilities, yet the company competes with traditional non-disabled businesses and achieves the highest quality ratings. When the US auto industry crisis hits, however, Lott's market is wiped out and president Joan Browne has 12 months to reinvent or close the doors. For the workers, the stakes are even higher since their jobs are a refuge, not only from the impoverishment that affects the majority of America's disabled, but from social isolation. For employees Kevin, Wanda and T.J., work is more than just a direly needed paycheck, it's a lifeline, a symbol of their dignity, and their dreams made real. The race to find a new business plan drives this engrossing recession economy drama, but it's the humanity the film restores to the balance sheet that makes A Whole Lott More such a rare achievement. Written by Myrocia Watamaniuk

A depiction of New York’s subway as an absurd obstacle course – revealing a system that shuts many out of a city in motion.