Décollages Recollés

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

An experimental film poem in celebration of life and visions. Techniques include live action, animation, montage and found images. Preserved by the Academy Film Archive in 2011.

An abstract compilation of found footage. Preserved by the Academy Film Archive in partnership with National Film Preservation Foundation and Pacific Film Archive in 2009.

A wet hot dream about sensuality. Preserved by the Academy Film Archive in partnership with the National Film Preservation Foundation and the Pacific Film Archive in 2009.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

In late 1890s Wyoming, Butch Cassidy is the affable, clever and talkative leader of the outlaw Hole in the Wall Gang. His closest companion is the laconic dead-shot Sundance Kid. As the west rapidly becomes civilized, the law finally catches up to Butch, Sundance and their gang. Chased doggedly by a special posse, the two decide to make their way to South America in hopes of evading their pursuers once and for all. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 1998.

The Scarecrow trades Jasper a handful of beans for his harmonica. Jasper plants the beans and climbs up the resulting beanstalk and, at the top, finds a beautiful girl in a golden cage playing a golden harp. Jasper rescues her from the Scarecrow, brings her down the beanstalk, and spends the rest of his days dancing to the music his girlfriend plays on the harp. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton. This role is made even more poingnant when they visit the eldest son who is a cadet in the 99th Pursuit Squadron.

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.

Brooklyn, U.S.A. is a 1947 English language short film directed by Arthur Cohen, starring Ted de Corsia. It was nominated for an Oscar in the category of Best Short Subject, One-Reel. Preserved by the Academy Film Archive.

United Nations, 1947 - In this film one crippled child learns to walk: first to move, then to stand, and finally to take his first steps. The film deals with modern techniques of physiotherapy, and the need to develop the whole child - his emotions and his mind as well as his muscles - is stressed. Skilled adult workers offer not only massage and therapy, but also love and understanding, and occupational therapy for children and takes the form of both play and work. Movements learned become part of the daily jobs of feeding and dressing. Early attempts to walk are made with the help of apparatus. Finally the initially hesitant steps on his own are taken. As the film ends the boy walks. Preserved by the Academy Film Archive in 2005.

The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.

Busy Little Bears is a 1939 American short family film directed by John A. Haeseler. The film follows three bear cubs are observed exploring the forests of the Sierra Nevadas, encountering other wildlife, and invading the kitchen of a local ranch house. It won an Oscar at the 12th Academy Awards in 1940 for Best Short Subject (One-Reel). Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2013.

In this Puppetoon animated short film (an Academy Award Best Short Subject, Cartoons nominee), legendary American folklore figure John Henry (voice of Rex Ingram) goes to work for the C&O Railroad, which shortly thereafter buys an automatic steel-driving engine, The Inky-Poo. John Henry matches his strength against the engine, saying that any man can beat a machine because a man has a mind. Can he prevail? In 2015 this film, deemed "culturally, historically, or aesthetically significant", was selected for preservation in the United States National Film Registry. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

A film which seems deceptively simple, Dead Reckoning comprises three identical-length shots which explicitly demonstrate the process of shooting a landscape, reframing the footage according to a specific idea of visual order, and then re-presenting it, now «corrected». In Dead Reckoning, his last 16mm film, David Wilson creates a beautiful dialogue between this very conceit and the fragile human inability to succeed in such an endeavor. Preserved by the Academy Film Archive in 2008.

A static close-up of a clock. Preserved by the Academy Film Archive in 2007.

In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.

Fischinger's abstract designs accompanied by Gitta Alpar singing. Preserved by the Academy Film Archive in 2000.