Symphony of doom

Bern, 1979: a tower block called Tscharnergut. Together with a few friends (among them famous Swiss actor Stefan Kurt), director Aron Nick's father and uncle shoot the idealistic Super 8 film "Dr Tscharniblues" ("The Tscharni Blues") – a wild, unvarnished self-portrait of their generation. 40 years later, Nick gathers the friends at Tscharnergut and asks what has happened to them and their ideals in the meantime. What have the achieved? What have they lost? Past, present, and future clash and form a journey of personal disappointments, hopes, and a collective search for identity. In "Tscharniblues II," Aron Nick discovers a kind of friendship that can weather anything.

Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.

Bern, 1980: A caleidoscopic portrait of Swiss urban life in the early 1980s.

This short documentary follows three Indigenous women as they practice ancestral forms of worship: drumming, singing, and using sweetgrass. These ancient spiritual traditions may at first seem at odds with urban life, but to Indigenous people in Canada who are used to praying in natural settings, the whole world is sacred space.

At the heart of the Central Train Station in Tel Aviv stands a grand piano. It watches over the traffic moving to and from the docks, seemingly hearing and seeing everything from its own point of view. For some, the piano is a regular stop on their commute. Others, occasional travelers, encounter it in this unexpected space, inviting them, subject to their will. There, in the most bustling place is a piano that makes people take off their earphones and take part in something magical that requires no words. The piano is unplugged, the people unplug. How many of those who sit and play manage to transcend the external noise, reflecting in a different and challenging way the reality we live in, allowing us to look into ourselves?

Five stories about dignity in the capital of Peru. A local leader looking for someone to leave the post of her complex work, a tourist guide who is a patron of the architectural heritage and Creole music, an ex-delinquent rescued by the Evangelical Church, a teenage dancer of Afro-Peruvian music forced to emigrate and a muralist of Bellas Artes son of Andean migrants, they try to get ahead in Barrios Altos, the most feared – but also most beloved – historic neighborhood of Lima.

The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

The construction of the Obelisco in Buenos Aires, Argentina.

Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

Ma bande magnétique arrière

Produced in 2004, Inspired by the book, Glory In A Snapshot A Photographic Look at Bedford-Stuyvesant, Bedford-Stuyvesant Beautiful is a video that gives you an insight into life in this historic community.

Revisiting the genre of the road movie in a very diaristic and personal way, the film takes us on board architect Ryue Nishizawa’s vintage Alfa Romeo (Giulia) for a day long wandering in the streets of Tokyo.

Genuine connections between children and nature can revolutionize our future. But is this discovery still possible in the world's major urban centers? The new chapter of "The Beginning of Life" reveals the transformative power of this concept.

Before its economic decline, Detroit was a major metropolis. Now, in the 2000s, the young people of the Motor City are making it their own DIY paradise where rules are second to passion and creativity. Johnny Knoxville tours the city to meet some of the people who are creating a new Detroit on their own terms, against real adversity.

A celebration of one of Britain's great civic squares. A ceaseless flow of buses and people crisscross the beating heart of the city.

Varosha, the only city on the world without people, the loneliest city... Varosha is a province in Cyprus that is closed with fences and unpopulated since 1974.

Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.

When Tomoko finds some messages for a 'Mr Smith' on a lost mobile phone, she finds herself on an 'Alice in Wonderland' journey through Tokyo's boulevards and back alleys. From the tyranny of symmetry in soaring office blocks - to buildings that look like space-ships, this creative documentary shows us the city's soul.

The Baselstrasse is a street in Lucerne. People call it "Rue de Blamage" – it's a noisy street tucked into a narrow space between a hill and a train track. The people who live here don't usually mingle with the rich and famous, but even the roughest haunt can be a home to those who live and work there – and Baselstrasse's two kilometers of asphalt are no different.