Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A French documentary on how Covid-19 affected Hollywood and the cinema industry in the United States.
Díky, pane Kříženecký
This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.
A documentary on the life and career of Victor Fleming, director of such iconic movies as The Wizard of Oz and Gone with the Wind.
An explosion in one of the largest chemical plants in Europe, the Petrochemical complex in Tarragona, triggers the labour struggle of a group of workers who demand what is fair for everyone.
Two brothers who could not have been more different. The eldest, Hermann Göring (1893-1946), was a prominent member of the Nazi regime, head of the German Air Force, and a war criminal. The youngest, Albert Göring (1895-1966), opposed tyranny and was persecuted, but today he is still unjustly forgotten, although he saved many lives while his brother and his accomplices ravaged Europe.
They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.
Educational Docudrama: Two caterpillars struggle to survive the first four weeks of their lives.
The life and work of Argentinian writer Jorge Luis Borges, a long interview, fragments of some of his most significant verses and dramatizations of some of his stories. Borges for everyone.
A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.
This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.
Within the framework of the “Half a Century of Locarno, Thoughts on the Future” project, seven directors, Idrissa Ouedraogo among them, have the chance to express their vision of the future of the film industry by means of a short film. “The state of the film industry the world is a vast issue,” says the director from Burkina Faso. “I would rather speak about my films, about African films and their relationship with the world”.
Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.
Conversations with four people — an artist, a woman struggling with her identity as a high achiever, an actor, and a priest — exploring their inner worlds, their self-image and how they feel they fit into society.
An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.
Two different women, from opposite sides of the country, look for distractions from the mundane and the malaise of modern life.
Finally, 33 years later, the whole truth behind the attempted coup d'état that shook Spain on the afternoon of February 23, 1981, is revealed by those who lived through those dreadful hours; a deep look behind the heavy curtain which hides the real mastermind, waiting to be unmasked.
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.