Naître d'une autre
Tempo di attesa
Documentary footage from various sources, set to music. Showing the whole of human life, from birth to death and beyond.
The planet’s busiest maternity hospital is located in one of its poorest and most populous countries: the Philippines. There, poor women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative Catholic ideologies.
This cinema-verite-style documentary interweaves the pregnancy and childbirth of a young woman with the lingering death of a cancer patient to comment on the celebration and tragedy of existence. The tenderness and intimacy of the young couple, and the mystery of birth are contrasted with the dignity of a man who faces his death without deception.
Director Abby Epstein's controversial documentary takes a hard look at America's maternity care system, juxtaposing hospital deliveries against the growing popularity of at-home, natural childbirths that some expectant parents are opting for. Former talk show host Ricki Lake was inspired to produce this compelling exposé after a dissatisfying birthing experience with her first child left her with many unanswered questions.
A look at the daily life of midwives across Quebec.
The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.
A documentary centring on women's experience of home births.
Alexis is a 32-year-old white woman married to Alain, an African from Rwanda. This documentary focuses on Alexis giving birth in her parents home. As her parents and great-grandmother look on, a calm mid-wife delivers ten and a half pound Jazmine. The documentary is Interspersed with interviews with Alexis, her husband, Alexis' parents, the soon to be great-grandmother and the midwife.
We follow three women on an emotional and thought-provoking journey as they lend their bodies and carry someone else's child.
Enter the world of undisturbed birth as 11 couples share their intimate personal journeys, facing their fears and moving through pain into the ecstasy of birth. Orgasmic Birth poses the ultimate challenge to our cultural myths.
When desperate times call for desperate measures, 9-1-1 Emergency Communications Officers are available to help with the complexities of childbirth and the delivery of babies.
The painful exit of a child of man in the world of God. The highest sense of being and the earthly joy of man and woman.
On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.
The everyday life of midwives unfolds on the threshold where new life is born and life may fade away. The film shows how midwives support couples during pregnancy and birth. It lets us participate in the balancing act between a safe and a perfect birth.
A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.
An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
Featuring experts in their fields and raw and moving footage, this documentary makes a case for increased autonomy in women's choices for childbirth.
"The Hart of London" is an endlessly layered tour de force. It explores life and death, the sense of place and personal displacement, and the intricate aesthetics of representation. It is a personal and spiritual film, marked inevitably by Chambers’s knowledge that he had leukemia. The late American avant-garde filmmaker Stan Brakhage said of Hart, "If I named the five greatest films [ever made], this has got to be one of them." Even this high praise falls short of hyperbole. The Hart of London is at the centre of Chambers’s extraordinary achievement.