Sight & Sound: The Cinema of Walter Murch

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

Leonard Maltin interviews Tony Curtis on his experience filming 'Some Like It Hot'.

A look back at the impact Billy Wilder's comedy classic "Some Like It Hot" has left since it's release in 1959.

A look back at the making of Billy Wilder's 1959 comedy classic "Some Like It Hot."

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

This documentary covers Hitchcock's early British career, up to his move to America in 1940.

Omnibus: François Truffaut

Counter Shot: Departure of the Filmmakers

Elizabeth Hurley hosts a one hour documentary on the history of the James Bond film series to tie in with the seventeenth Bond film, GoldenEye.

Shirley MacLaine was the product of a strict middle-class background from which she and her brother, the future actor Warren Beatty, escaped into the fantasy world of show-biz. Her ballet training and her long-legged pixie charm led to rapid success on Broadway in musical comedy. Inevitably, Hollywood called and by 1955 Shirley was cast in Hitchcock's "The Trouble With Harry." It wasn't too long before the fine dramatic roles also came to her opposite the most popular leading men of the time, like Fred MacMurray, Jack Lemmon, Frank Sinatra, Clint Eastwood and Robert Mitchum.

Room Full of Spoons is an in depth documentary about the cult film that is widely accepted as the worst film ever made: The Room, and it’s eccentric creator Tommy Wiseau. Referred to as “The Citizen Kane of bad movies” by Entertainment Weekly, The Room grossed only $1800 during it’s initial box office run. Against all odds, Mr. Wiseau’s disastrous film found a new life on the midnight movie circuit and now plays to audiences around the world making it one of the most adored and important films in popular culture. Follow Rick Harper and his team on their journey across the Globe as they experience this midnight movie phenomenon, meet with the entire cast and crew of the The Room and piece together the story behind the mysterious Tommy Wiseau. The film has not yet received a full release due to legal action taken by Wiseau against the filmmakers.

A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

The story of French filmmaker Jean Rollin (1938-2010), one of the most singular voices of European cult cinema, deeply misunderstood and widely misrepresented.

Probably filmed in 1895, a group of people stand along the platform of a railway station in La Ciotat, waiting for a train. The train pulls up and attendants help passengers off and on. This was not in the Lumière's official catalog, and was likely screened in early 1896. This film is often misidentified on Youtube as "L'Arrivée d’un train à La Ciotat", which is the title of the 1897 remake.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A documentary that takes a look at the film and media industry of New Mexico and its impact today.