And The Same Statement

A letter film for Abbas Kiarostami

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.

Das Experiment - Leben ohne Plastik

An unintentional irregularity of a clip from Fata Morgana (Werner Herzog).

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

"The Last Dragon" is a nature mockumentary about a British scientific team that attempts to understand the unique incredible beasts that have fascinated people for ages. CGI is used to create the dragons.

Images from other films left behind and images provided. Edited between April and May 2020, during the confinement of Covid-19.

This unusual film, narrated by Orson Welles, records the day-by-day events in the lives of six oceanauts who, in an unique experiment, spent 27 days 328 feet below the surface of the Mediterranean. The experiment originated with the French scientist and explorer, Jacques-Yves Cousteau, on whose work the idea of oceanic exploration is based. The film shows the preparation and training needed for the expedition and the working conditions both inside and outside Conshelf Three, a specially made steel bubble which served as home and laboratory.

Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...

Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.

The sequel to one of the most infamous shockumentaries ever made. Includes a real home video of a girl being exorcised, a recording of the aftermath of a brutal gang massacre, a russian science experiment on a decapitated dog, and a splatter-filled educational video.

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?

Six people, one room, one night, one game, a lot of sensuality and much to discover. A Film that shows how bodies and minds might meet when allowed to. Get involved within a stimulating experiment, somewhere between aesthetic statement and real venture, between pornographic art and the attempt to reposition sexuality within dialogue and actions.

The Stanford prison experiment was a landmark psychological study of the human response to captivity, in particular, to the real world circumstances of prison life, and the effects of imposed social roles on behaviour. It was conducted in 1971 by a team of researchers led by Philip Zimbardo of Stanford University.

Some of the world's most innovative documentary filmmakers will explore the hidden side of everything.

AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.

A trip behind and beneath the street-level skin of the city on the hidden paths of industrial history and once-and-future transit.

Shot on Mount Tamalpais, a spatial matrix replaces temporal causality with contiguous space. A view of landscape is taken apart, to be reconstituted through memory. The grid, a reference to the “veil of threads” invented by Albrecht Dürer as an aid for perspective drawing – to transfer vision to a sheet of paper – is used for an opposite effect – to disperse a landscape across time. The viewer is asked to remember the space as it passes and reconstitute it from memory, actively connecting the image across space and time.

Le mystère des jumeaux