La Señal Cósmica

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

Toroid is an experimental audio-reactive animation work that demonstrates the possibilities of harnessing digital waveforms of electronic origin into a continual source of power. By making the invisible visible, the work bears similarity and inspiration from the extensive quantum energy research at CERN which seeks to uncover and control the particles in and around us. In this era of over-production and over-algorithmic data illusion of choices, Toroid inserts itself in the digital narrative as a power source simulation showing a possibility for ensuring a positive flow of eternal (renewable) energy working in parallel with the natural order.

THE STAR SPORE is a two sided horror story exploring the effects of a devastating alien entity on both the body and the consciousness of an unfortunate resident of Goldtown, Montana. This project took me around half a year to complete and takes inspiration from books like ‘Hellstar Remina’ and ‘Vermis’ as well as films like ‘The Thing’, ‘Nope’, ‘Lake Mungo’ and ‘Mad God’. This project is not as focussed or linear as my previous projects and I mainly tried to focus on creating smoother animation and more atmospheric scenes.

One of two animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage (1876-1954). Based on Lesage's painting A Symbolic Composition of the Spiritual World from 1923.

Abstract animation by Satoh Yoshinao

Abstract animation by Satoh Yoshinao

This experiment was a “prestige advertisement” for Shell Motor Oil. As conventional animation became dominated by Walt Disney, many European filmmakers turned to puppets as an alternative, and Lye enlisted the help of avant-garde friends such as Humphrey Jennings and John Banting to make the amusing puppets. Exploring the still-complex color process, which involved the combination of three separate images, Lye creates such a vivid storm scene that reviewers hailed it as “proof that the color film has entered a new stage.” The music is Holst’s The Planets. - Harvard Film Archive

There it stands, the house, drawn in pencil. It begins to fall apart. Bricks come loose from the wall, the front door falls off its hinges and walls break away. Everything sinks into endless nothingness.

Directed by Xu Kerr. Centuries of unchecked industrialization have left Earth unsuitable for supporting human life. Rather than trying to restore the ravaged planet, humanity has learned to embrace its changing environment.

The film follows the adventures of Baron Munchausen, who is prompted to travel to the moon by his cousin Sirius, an astrologer convinced that it is inhabited by an ancient race called the Selenites. The Selentites incidentally possess the secret of immortality. The Baron takes up his cousin's offer and travels to the moon using a tall masted ship pulled by three hot air balloons and he is aided by his super-ability friends (who are from the prequel to this film, The Fabulous Adventures of the Legendary Baron Munchausen). When they reach the moon, they are initially placed in jeopardy as their craft lands in a crater and they fall into a subterranean sea inhabited by monsters...

Space Pirate Captain Harlock and his fearless crew face off against the space invaders who seek to conquer the planet Earth.

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

In a distant future, the space probe "Voyager" explores the galaxies in the infinity of space to detect signs of life in the universe. This vehicle, which will make a great discovery for humanity, will drag humanity into an event it has never encountered before. In this fascinating science fiction animation directed by Yasin Doğukan Susam, the film invites people to explore their place in the universe and different worlds. This discovery will deeply affect people's thoughts and feelings and change their perception of the universe. "Voyager" is a gripping short animated film filled with visual effects, celebrating the wonder and excitement of encountering other life forms in the universe.

After Billy finds a winning scratch ticket, the gas station gets a new lottery machine that becomes the talk of the town. Part of [adult swim] smalls and second Gassy's Gas n Stuff short

Betty wants to bake a cake, but a fly appears in her kitchen and all heck breaks loose.

In 1944 Lye moved to New York City, initially to direct for the documentary newsreel The March of Time. He settled in the West Village, where he mixed with artists who later became the Abstract Expressionists, encouraged New York’s emerging filmmakers such as Francis Lee, taught with Hans Richter, and assisted Ian Hugo on Bells of Atlantis. Color Cry was based on a development of the “rayogram” or “shadow cast” process, using fabrics as stencils, with the images synchronized to a haunting blues song by Sonny Terry, which Lye imagined to be the anguished cry of a runaway slave. —Harvard Film Archive

While Tom Cat goes away hunting, Mickey, Minnie, and their mouse friends break into his house and perform music. They play various tunes on the piano while the other mice hit household objects in tune to the music.

Porky invests his savings. Mayhem ensues.

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

Papa, a bullied young boy whose only refuge is a book about space, runs away after being involved in the accident of one of his harassers. His escape to the outskirts of Paris awakens his imagination, somewhere between concrete blocks and starry skies.