White People Won't Save You

Experimental short directed by Dorothea Grießbach

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

"Highway Hypnosis" - alternatively referred to as "white line fever" - is a dazed state in which a driver may travel long stretches of open road in a compliant and normal fashion, yet with little-to-no recollection of how their destination was reached.

Season 2 - Episode 201 in the found footage anthology horror series “The Ominous Project Universe Presents” 1 year after the horrific events of “The Ominous Project Universe Presents: ISOLATION”, the American Disease Center & The Health & Safety Department of of America, announces that quarantine and all previous safety precautions have been lifted which causes 3 young adults to take a risky vacation to Florida. However, on their way for fun in the sun; what they encoutered on the countryside of southern Georgia is something only found in nightmares.

Suffocating under poverty, Ferris finds a door to another world that may provide her the perfect escape - If only her struggles don't follow her.

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

The people are in turmoil. The ground from which their enchanted garden grows, is trembling. Between bushes and trees, flowerbeds and fountains, everyone has lost their way on their own. Their eyes search for paths, their hands try to remember. Sometimes they spot something. Sometimes they listen. They catch a whisper, a faint promise. They follow the petals downstream. Further.

A young scientist studies the mechanics of time travel by having a conversation with a group of her future selves.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

A young man named Phillip finds himself in a purgatory reality that's littered with clues of his past life. From the discovery of his own corpse to the mysterious connection with a woman scheduled for an abortion, Phillip slowly reveals this doomed fate by his own hands.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

A curator at a high-profile art gallery finds herself drawn to a young, polyamorous artist who introduces her to a lifestyle that reflects a part of herself she had once abandoned.

Whilst a boy mourns the passing of his younger brother, hope of unity is found in his grief.

An experimental lo-fi love story told through still photographs, an unseen character longingly admires a young woman from afar.

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.

Upon moving into a new apartment, a young woman finds herself surrounded by strange events. Curious about the reasons behind the occurrences, the young woman is sucked into memories and daydreams, remembrances and forgetfulness, places and non-places.

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.