William Thatcher, a knight's peasant apprentice, gets a chance at glory when the knight dies suddenly mid-tournament. Posing as a knight himself, William won't stop until he's crowned tournament champion—assuming matters of the heart don't get in the way.
Over the course of a hot summer day in Los Angeles, the lives of 25 young Angelinos intersect. A skating guitarist, a tagger, two wannabe rappers, an exasperated fast-food worker, a limo driver—they all weave in and out of each other's stories. Through poetry they express life, love, heartache, family, home, and fear. One of them just wants to find someplace that still serves good cheeseburgers.
1936. Giovanni Comini, the youngest Federal in Fascist Italy, is summoned to Rome for a delicate mission: to surveil aging national poet Gabriele D'Annunzio, whose increasingly restless behavior Mussolini fears could damage his alliance with Nazi Germany. However, after spending time with D'Annunzio, Comini finds himself torn between loyalty to the Party and his fascination with the poet, who will put his burgeoning career at risk.
The residents of Ho Chi Minh City face modernization amid widespread poverty. A retired American Marine arrives on a search for his daughter, whom he abandoned at the end of the Vietnam War. Elsewhere, a cyclo driver falls for a troubled prostitute and schemes to raise money so he can spend time with her. Additionally, a young women begins harvesting lotuses for a writer suffering from leprosy, and a child trinket seller loses his traveling case.
Qingyan Yu confronts confusion and self-identity problems as she gets to the point where romance starts to take place in her adolescence.
The tumultuous life of Arthur Rimbaud, the cursed poet, who completed his masterwork at the age of twenty, became an arms dealer and died at thirty-seven; and his passionate relationship with Paul Verlaine, full of wanderings, storms and falling out.
Je suis une cigarette
“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.
Trapped in routine, a Jeju poet finds himself drawn to a boy—and to emotions he’s never dared name.
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.
To Hold My Love is a short film merging dance, fashion, and spoken words. Through their bodies and their language, the five dancers pull the viewers into their worlds where they explore themes related to women's vulnerabilities, identity, body image, and sensuality. A portrait of complex emotional journeys experienced through the profound strength of sisterhood. The film features fashion pieces from Lynn La Young’s collection and is set to an original music score composed by Saber Rider. To Hold My Love is a screen adaptation of a stage show choreographed by Elettra Giunta for Resolution Festival at The Place Theatre. It was brought to the screen with the help of director Adam Othman and cinematographer Will Hazell.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.
About the life and work of the poet Sergei Yesenin, his connection with his native country, its people and nature. Childhood, love, painful searches for his place in the new, revolutionary Russia — everything found a place in Yesenin's lyrics. Frames illustrating Yesenin's poetry and poems are side by side in the film with episodes of the poet's biography: the film reflects the days of his stay in America, World War I, revolution and village round dances, a daring uncle, a wise mother...
With £2.50 in their bank accounts, two friends Saoirse and Emma vow to have the greatest night of their lives at a punk poetry party. They discuss the current state of their lives while determined to keep the little riots inside of them alive.
In a lost corner of the world, just another village isolated from all the recurring rumors of any era. The trees take over leaving the loneliness evidenced as the darkness likes and appreciates.
Drama, entirely in verse, following three men who sleep on the streets of Manchester in their vehicles, having lost all their economic and social power.
On the winter solstice, four friends reunite at their family's beachside cabin after years apart. From the ocean, a mysterious stranger arrives seeking refuge, eventually pitting the friends against one another. Fantasy, fear, and reality blend together as the days unfold.
On the occasion of the bicentenary of the birth, Carmelo Bene returns to the verses of the poet from Recanati. In this film the most beautiful poems by Giacomo Leopardi (La Ginestra, Il Canto Notturno, Le Ricordanze, A Silvia, L'Infinito ...), but also some passages from the Moral Operettas, as well as the unfinished Project for a hymn at Ahrimane, follow one another with deep and moving simplicity, with a quiet immediacy that causes the void of every other voice: therefore the listenere is ensnared in the pauses, bewitched by the unexpected descents of silence. The voice assumes a dark and ancestral tone in which the words seem to find their original nuances.