Nuits d'Afrique
Two brothers are divided by marriage and fate during the 100 horrifying days of the 1994 Rwandan genocide.
Back home in Bujumbura with a Parisian diploma in his pocket and expecting to walk into a civil service job, Gito finds himself both unemployed and caught between two women: his current French girlfriend Christine and his local old flame Flora.
A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended, seizes the party, and one-by-one, kills all but one of the safari members in various creative and horrifying ways. The last surviving member is given "The Lion's Chance" by the tribal leader to be hunted down by a party of tribal warriors.
This film presents a harsh critique of the Koranic teaching through the tragic story of a small talibé, student of a beggar.
Two men of different backgrounds lose their respective jobs, setting off a series of events that brings them together in tragic circumstances.
An African diplomat who has returned to his native country after a long stay in Europe realizes that perhaps he has assimilated too much white culture.
A dissolute man whose wife cheats on him seeks revenge to preserve his honor.
An American couple drift toward emptiness in postwar North Africa.
In the 1970s, groups of young Europeans ventured into the Sahara Desert with the intention of crossing it and experiencing “an adventure”. Unprepared, reckless and ignorant of the terrain they were crossing, they faced extreme situations with unexpected consequences. From the passion of these young people for adventure, the most famous rally in the world was born. “End of the Journey, Sahara” tells the story of one of these adventures.
A film about the difficulty for even the most well-intentioned person to know and respect another culture. In this case, the problem is so acute that there is even heated debate over what to call that 'other.' The subtitles in the film use the familiar word 'pygmies,' a relatively pejorative European term; the Bantu or villagers' expression for the same group, Babingas, carries similar negative connotations. These highly specialized, tropical rainforest hunter-gatherers should perhaps be called by their own ethnonym, Aka, MoAka (sing.) and BaAka (pl.)
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
Sheena's parents are killed while on Safari. She is raised by the mystical witch woman of an African tribe. When her foster mother is framed for the murder of a political leader, Sheena and a newsman, Vic Casey, are forced to flee while pursued by the mercenaries hired by the real killer, who hopes to assume power. Sheena's ability to talk to the animals and knowledge of jungle lore give them a chance against the high tech weapons of the mercenaries.
A city with its problems. A gang of abandoned children provide for themselves and pose as heroes. The police are on their backs day and night. They are enterprising, energetic, and full of fresh vitality. Despite the fact they are rejected by their parents and ignored by the world, they form among themselves a powerful example of solidarity. Ablakon is something of a different order. He is an adult delinquent and a swindler. Posing as a businessman, he has deceived a countless number of people. When he and his accomplice return to the village, his extravagant behaviour is mistaken for a sign of success. Following his example many young people leave for the city. But they will soon understand their mistake...
Ali is the image of modern Africa. He happily returns from a football match on his motorbike but a nasty surprise is waiting for him at his parents' home: he finds Haoua, his bride-to-be, waiting for him. The wedding is celebrated shortly afterwards and the two begin living together under the same roof. They are strangers but cannot stand each other. Haoua is the classic traditional woman who has just arrived from the village, God-fearing and faithful to the laws of tradition. Ali's friends advise him to look for a second wife. He meets Henriette, an uninhibited and provocative city girl, the woman of his dreams. To meet Henriette's constant requests, Ali 'borrows' some money from the coffers of commander Soleymane, but he is discovered and ends up in prison. Henriette is furious and leaves him, whilst Haoua cries for him in despair.
The story of Quincy Bosomfield who is the product of colonial education and has risen to become the district commissioner. In the process, he abandons his African heritage and all that has real meaning to him.
Life in the African country of Mali in the 1990s is vividly highlighted in this mild drama. In the story, a young forest ranger who sees that his work holds the key to the future of his country (through reforestation) is disgusted at the short-sighted, money-grubbing ways of his superiors. He has a much better relationship with local villagers than with his agency's bosses. As the movie opens, the villagers are preparing to hold a hunting ceremony but are not sure whether they will do it the old fashioned way, with a bonfire, or will obey a government decree that open fires are too dangerous. There is a lot of sexual teasing between the villagers, including some harmless horseplay. For instance, when a man whispers another woman's name in his sleep, his wife pours water into his ear in revenge.
Young Africans in Paris face insecurity and vague future. Should they stay in France, or return to their homes?
An African mother will do just about anything to protect her child. Bilaly is a simple peasant who is blind. He wants to “know” a woman before he dies, but try as his mother might, she cannot find someone to oblige. She finally gets an idea – an idea that completely stuns the village.
Harry Holt returns to Africa with his friend Martin Arlington to head up a large ivory expedition.