Stories from Sicily

Using edited archive footage, mockery is made of Italy's dictator Benito Mussolini.

Relive the infamous 2012 shipwreck of the cruise ship Costa Concordia and follow the engineering feat to raise her.

A featurette (most likely shot for American television) about the Spaghetti Western genre during the late 60's and how it had affected Italy at that particular point in time. Contains behind-the-scenes footage from the films "Il Grande Silenzio" "Vado, Vedo e Sparo" "Ammazza Tutti e Torna Solo" and "Corri, Uomo, Corri" and interviews with their directors and cast.

In the small mountain town of Barga, Italy, a group of four filmmakers speak with local cat lovers and immerse themselves in the unique world of street-trotting felines and Gattaras.

Nero is accused of having "fiddled while Rome burned" and remembered for executing his mother and burning Christians alive. History has sided against him on all counts, but could there be another side to ancient Rome's notorious emperor? National Geographic reveals how Nero rebuilt a city devoured by fire, revolutionizing Western architecture and forever changing the face of Rome.

Girlfriend in a Coma is a documentary that exposes the dire situation of Italian politics and the process of economic and social decline the country has suffered during the last two decades, treating the decline as a warning of what might happen elsewhere in the West. The decline has occurred amid a collapse of moral values and the victory of “Mala Italia” over “Buona Italia”. It has been lauded as being ground-breaking in its creative combination of animation, interviews and hard facts, and has caused fierce controversy in Italy.

Examining the brutal murder of 21-year-old student Meredith Kercher in 2007.

A documentary short detailing the life of Italians living on the Po River in the 1940s.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

House of the Wickedest Man in the World is the story of a ruined building near the city of Cefalú in Sicily. In the early 1920s, Aleister Crowley, the most famous occultist of his time, lived in the building, practicing magical rituals. In the summer of 1955, Kenneth Anger, considered one of the pioneers of experimental cinema, traveled with sexologist Alfred Kinsey to Sicily to find Aleister Crowley’s temple to shoot a film about the occultist’s time in Cefalú. The Thelema Abbey film was never released.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

In Italy, in the mid-seventies, Adriana, Barbara, Nadia and Susanna were 20 years old when they decided to join the armed struggle and leave behind their social life and their families in order to make the revolution the center and the aim of their existence. Today they have returned after many years in prison, and they try, each one of them, to recount their own experiences. They speak about the political reasons which initially sustained them, the conflicts, the doubts, and the moments of being torn apart which market out their lives as women caught up in the vortex of war. A course of events which ended in the condemnation of the armed struggle and the pain of the lives that were destroyed – their victims’ lives and their own.

In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.

To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.

A documentary in which Luca Ragazzi and Gustav Hofer research the origins of sexism in the west and in Italy, the land of Berlusconi, Mussolini and Casanova, a nation with 887 words to say "penis".

Umberto Eco, the author of best-selling novels who passed away in February 2016, unveils the secrets behind his undertakings and novels.

The mysterious parallel story of Italian painters Andrea Mantegna (ca. 1431-1506) and Giovanni Bellini (ca. 1435-1516), brothers-in-law, public rivals and masters of the early Renaissance.

The memory of Piero Portaluppi, a Milanese architect who reached the peak of his fame during the 20 years of the Fascist regime, comes back to life, both through the rediscovery of his work today and in a previously unpublished film diary in 16 mm, shot and edited throughout his lifetime. A man of great charm and power, Portaluppi lived through a grandiose but tragic era with ironic detachment, as if dancing across things as he created beauty. History marches on implacably, radically transforming the arena in which the eclectic artist and his large family lived and worked.

Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.

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