Giant Bear

His recent animation Kablunât: Legend of the Origin of the White People (2016) draws from a Nunatsiavummiut legend recorded by a Moravian missionary. Making use of archival photographs collected over nearly nine years, Gear reinterprets the legend for a contemporary Inuit audience, while framing the story as a reclamation from colonial retellings. “I wanted to literally insert myself in that narrative, break it apart and see what was there in a kind of dreamlike way,” he notes.

Inuit artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light. Diving into the NFB’s vast archive, she parses the complicated cinematic representation of the Inuit, harvesting fleeting truths and fortuitous accidents from a range of sources—newsreels, propaganda, ethnographic docs, and work by Indigenous filmmakers. Embedding historic footage into original animation, she conjures up a vision of hope and beautiful possibility.

A lonely fisherman drifts into haunted waters in search of food and finds much more than he bargained for. Based on an Inuit folktale.

Inspired by an Inuit poem first assigned to paper in 1927, this animated short evokes the beauty and power of nature, as well as the bond between mother and daughter. As her daughter looks on, an Inuit woman creates a wall hanging filled with images of the spectacular Arctic landscape and traditional Inuit objects and iconography. Soon the boundaries between art and reality begin to dissolve.

In this animated short, a self-important colonial explorer emerges from a sailing ship and plants a flag on the Arctic ice, as a bemused Inuit hunter looks on. Then the explorer plants another, and another, and another, while the hunter, clearly not impressed that his land has been “discovered,” quietly goes about his business. In this charming and humorous re-imagining of first contact between Inuit and European, Jonathan Wright brings us the story of a savvy hunter and the ill-equipped explorer he outwits.

This animated short tells the story of Qalupalik, a part-human sea monster that lives deep in the Arctic Ocean and preys on children who do not listen to their parents or elders. That is the fate of Angutii, a young boy who refuses to help out in his family’s camp and who plays by the shoreline... until one day Qalupalik seizes him and drags him away. Angutii's father, a great hunter, must then embark on a lengthy kayak journey to try and bring his son home.

This animated short is a tragic and twisted story about the dangers of revenge. A cruel mother mistreats her son, feeding him dog meat and forcing him to sleep in the cold. A loon, who tells the boy that his mother blinded him, helps the child regain his eyesight. Then the boy seeks revenge, releasing his mother’s lifeline as she harpoons a whale and watching her drown. Based on a portion of the epic Inuit legend “The Blind Boy and the Loon.”

When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey introduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths and rambunctious rams.

According to Inuit oral history, long ago animals had the power of speech, could shift their appearances, and could even assume human form. In The Orphan and the Polar Bear, a neglected orphan is adopted by a polar bear elder. Under the bear’s guidance, the little orphan learns the skills he will need to survive and provide for himself.

Two young friends are spending a day away from their camp. Unfortunately for them, an ancient land spirit -- an amautalik -- is also in the area. Luckily for them both, one of the children's difficult life has taught him to think quickly.

It begins as an average hunting trip for two young men, but when they find themselves lost, the only safe haven to be found for miles—a mysterious village filled with the sounds of drum dancing and revelry—turns out to be even more dangerous than the frigid ocean.

The oral history of Inuit is filled with many folktales, legends, and myths. In this traditional story, a young owl catches a lemming to eat. Inuit stories are often instructive, and with this fable, children quickly learn the value of being clever and humble, and why pride and arrogance are to be avoided. This short puppet film utilizes composited photographs and a set made with actual Arctic plants and lichen to create an authentic retelling of this ancient Arctic fable. This short film provides a glimpse of traditional Inuit values and beliefs.

The story of an ice-fishing trip taken by two unlikely friends—Ukaliq the Arctic hare and Kalla the lemming. Well-meaning but impatient, Ukaliq can’t catch a single Arctic char! Good thing Kalla is there. Embodying the calm, thoughtful nature of traditional hunters and those who live in the Arctic, Kalla shares his wisdom—and his snacks—with his unprepared friend.

Sloth pokes gentle fun at stereotypes about the Inuit people, past and present.

Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.

The Sun and the Moon are born, as a woman searches to reveal the identity of her mystery lover in this strikingly animated Inuit creation tale.

The film explores the way traditional hunting in Nunavut has evolved so that it can continue to play a vital role in contemporary Inuit culture.

This collection assembles the first animated films to be made by Inuit artists at the NFB. Featured is work by Solomonie Pootoogook, Timmun Alariaq, Mathew Joanasie, and Itee Pootoogook Pilaloosie—all participants in the Cape Dorset (Baffin Island) Film Animation Workshop, established to teach animation skills to local artists. The soundtrack features performances by Aggeok and Peter Pitseolok. Commentary is provided in a blend of Inuktitut and English.

In this animated short from the Canada Vignette series, the camera explores, in exquisite detail, the daily hunt, fishing scenes and children at play as etched in black on an ivory Inuit pipe.

A young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.