The Amautalik

When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey introduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths and rambunctious rams.

A lonely fisherman drifts into haunted waters in search of food and finds much more than he bargained for. Based on an Inuit folktale.

A young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.

His recent animation Kablunât: Legend of the Origin of the White People (2016) draws from a Nunatsiavummiut legend recorded by a Moravian missionary. Making use of archival photographs collected over nearly nine years, Gear reinterprets the legend for a contemporary Inuit audience, while framing the story as a reclamation from colonial retellings. “I wanted to literally insert myself in that narrative, break it apart and see what was there in a kind of dreamlike way,” he notes.

On the eve of summer vacation, Prune leaves her parents for the traditional "end-of-year school trip." But once she's gone, an incredible snowstorm hits the small town where her family lives. Philémon, her younger brother, then makes an astonishing discovery: an Inuit family has settled on a roundabout. The meeting of these two worlds sets the stage for a wonderful adventure.

Combining figurative abstraction with magic realism, this animated short depicts a world in which whales fall out of the sky and fish turn into balloons. It is a black and white evocation of the real world, transformed by the director's special sense of whimsy. With bold lines reminiscent of the stark simplicity of Inuit art, this cautionary tale is a reminder of the interconnectedness of all things. We are all affected by the fate of the Arctic, which each year is disappearing a little farther into the ocean.

Centered on a confrontation between the last monster bear and an Inuit hunter, Giant Bear is a chilling short that brings an ancient story out of the North.

Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.

A polar bear is hunted by Eskimos. But suddenly the hunt gets interrupted. Preserved by the Academy Film Archive.

In this animated short the artist tells the story of an Inuit hunter who clubs a seal pup on the ice and then later dies himself. The film's ethereal images are created and transformed in sand.

Three young Inuits set off in search of a promised land to save their clan from starvation.

Inuit artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light. Diving into the NFB’s vast archive, she parses the complicated cinematic representation of the Inuit, harvesting fleeting truths and fortuitous accidents from a range of sources—newsreels, propaganda, ethnographic docs, and work by Indigenous filmmakers. Embedding historic footage into original animation, she conjures up a vision of hope and beautiful possibility.

The Inuit folktale of an old woman and the orphaned polar bear cub she took in as her own child.

Sloth pokes gentle fun at stereotypes about the Inuit people, past and present.

The film explores the way traditional hunting in Nunavut has evolved so that it can continue to play a vital role in contemporary Inuit culture.

This animated short tells the story of a ferocious polar bear turned to stone by an Inuk shaman. The tale is based on emerging filmmaker Echo Henoche's favourite legend, as told to her by her grandmother in her home community of Nain, Nunatsiavut, on Labrador's North Coast. Hand-drawn and painted by Henoche in a style all her own, Shaman is the first collaboration between the Labrador artist and the NFB.

In this animated short from the Canada Vignette series, the camera explores, in exquisite detail, the daily hunt, fishing scenes and children at play as etched in black on an ivory Inuit pipe.

According to Inuit oral history, long ago animals had the power of speech, could shift their appearances, and could even assume human form. In The Orphan and the Polar Bear, a neglected orphan is adopted by a polar bear elder. Under the bear’s guidance, the little orphan learns the skills he will need to survive and provide for himself.

He was called "He Who Has Two Souls". He was beautiful as a woman. And handsome as a man. He hesitated.

This collection assembles the first animated films to be made by Inuit artists at the NFB. Featured is work by Solomonie Pootoogook, Timmun Alariaq, Mathew Joanasie, and Itee Pootoogook Pilaloosie—all participants in the Cape Dorset (Baffin Island) Film Animation Workshop, established to teach animation skills to local artists. The soundtrack features performances by Aggeok and Peter Pitseolok. Commentary is provided in a blend of Inuktitut and English.