Journal de Bolivie

In the rich hill of Potosí in Bolivia there is a silver mine that was the largest in the world. It has been exploited since 1546 with the arrival of the Spanish who enslaved the indigenous people to steal the precious metal. To this day, hundreds of meters underground, the indigenous miners continue to exploit the mine in extremely precarious conditions, Martín Cádiz is one of them; hi works in the depths of the hill and desires that his children do not enter these tunnels of hell.

How does a politician – assassinated more than 50 years ago – gradually become a public figure? An extremely vibrant image which shows up where you least expect it. It served as figurehead for the Arab Spring revolutions, from Rabat to Sanaa, whereas we had thought it had been relegated to t-shirts and cigarette lighters. Why has this image become so universal that we are no longer surprised to find it in drawings, graffiti, tattoos and prints on all types of media in all sorts of contexts the world over? How can this image be used to advertise luxury automobiles and also be brandished angrily by indignant agitators? What is the formula that made this figure go viral? This documentary is a journey to investigate and decode a piece of iconography.

From millions of photos, posters, videos, t-shirts, postcards, records, books, phrases, testimonies, Che watches over us. Beyond all paraphernalia, he returns. Irreverent, mocking, stubborn - morally stubborn - Che will always be the subject of debate. The exclusive teleSUR series “Ernesto Guevara, also known as 'Che'”, aims to address the figure of Ernesto Guevara as it has never been told before. Conversing with the characters who were with him in important moments, visiting the real settings where Che spent his life.

Seremos Todos Como Che

General Alfredo Ovando Candia was a decisive figure in 20 th century Bolivian history. Through old home movies and institutional footage, Mauricio Ovando goes in search of the figure (and the shadow) of his grandfather, interweaving his history and History while going after an uncomfortable truth.

Oliver Stone spends three days filming with Fidel Castro in Cuba, discussing an array of subjects with the president such as his rise to power, fellow revolutionary Che Guevara, the Cuban Missile crisis, and the present state of the country.

Nukum (grand-mère)

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.

His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.

A documentary that explores the myth behind the truth. Different people around the globe reinterpret the legend of Che Guevara at will: from the rebel living in Hong Kong fighting Chinese domination, to the German neonazi preaching revolution and the Castro-hating Cuban. Their testimonies prove that the Argentinian revolutionary's historical impact reverberates still. But like with all legends, each sees what he will, in often contradictory perspectives.

A documentary centered on the union formed by Bolivian farmers in response to their government's (which was urged by the U.S.) effort eradicate coca crops, and the man who would come to represent them, Evo Morales.

'The Devil's Miner' tells the story of 14-year-old Basilio who worships the devil for protection while working in a Bolivian silver mine to support his family.

El camino

The latest documentary by Tristan Bauer took 12 years to complete. It is a unique and invaluable historical document—a jewel not to be missed—that offers us a different, more intimate and personal, perspective on the life of Ernesto Che Guevara than other films about him that have emerged recently. Presenting brilliantly edited archival material, including private documents and intimate recordings that have never been made available to the public before (including recordings of Che reading poems by Vallejo and Neruda to his wife, intimate family gatherings on 8mm, a speech given by Che in French), Bauer allows us to see the iconic figure as a hero but also as the larger-than-life passionate and idealistic human being that he was.

A day in the life of Esperanza, a Quechua girl who lives in the remote mountains of southwestern Bolivia.

The two young Swedish journalist's Erik Gandini and Tarik Saleh have worked one year with Sacrificio, a film about the events surrounding the death of Che Guevara. They have traveled the world around and met among others the man who shot Che Guevara and the former CIA agent who walks around with Che's last tobacco in his pistol butt. In their attempts to find out what really happened they discover that the man who is accused of having betrayed Che Guevara as a matter of fact lives in Malmö, in the south of Sweden.

In 1879, Bolivia lost its access to the sea in a war. When I was a child I did not understand how we had lost it; he thought the Chileans had taken him away in buckets. It is a diary towards interior landscapes, myths, characters and contradictions in a country that relives this loss every day.

Sortir la spiritualité autochtone de la clandestinité

The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.