Esperanza

In 1946, a group of Latvian Brazilian Baptist missionaries arrived to Rincon del Tigre (“Jaguar’s Corner”), in the backwoods of Bolivia, to preach God’s word to the Ayoreo Indians. After sixty years of selfless work in a largely hostile environment, something seems to have gone terribly wrong. Habituated to living under the protective wings of the mission, the Ayoreos seem neither to be willing to support themselves and start living on their own, nor able to return to their traditional way of life in the jungle. Dressed in second-hand clothes, they are stranded in the backwoods of Western-style civilization, with no particular way to go.

Echando Raíces

His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.

Q'eros. Nuestra vida, nuestra herencia

AQAQUÑI

Sortir la spiritualité autochtone de la clandestinité

A documentary centered on the union formed by Bolivian farmers in response to their government's (which was urged by the U.S.) effort to eradicate coca crops, and the man who would come to represent them, Evo Morales.

For many years, the Swiss photographer Jean-Claude Wicky captured the world of Bolivian miners in photographs. When he discovered how strongly they reacted to his pictures, he decided to make a film. Black-and-white photographs alternate with film sequences, in which the miners talk about the harsh conditions of their everyday lives, while also rendering visible their pride, dignity, culture and dynamic traditions. Every day is night is first and foremost a testimonial of profoundly sincere human encounters based on respect, generosity and gratitude.

'The Devil's Miner' tells the story of 14-year-old Basilio who worships the devil for protection while working in a Bolivian silver mine to support his family.

A documentary on American political campaign marketing tactics and their consequences.

Are tourists destroying the planet-or saving it? How do travelers change the remote places they visit, and how are they changed? From the Bolivian jungle to the party beaches of Thailand, and from the deserts of Timbuktu, Mali to the breathtaking beauty of Bhutan, GRINGO TRAILS traces stories over 30 years to show the dramatic long-term impact of tourism on cultures, economies, and the environment.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

Danger, toil, and superstition pervade life in a mining town high up in the Bolivian mountains. Tin is the heartbeat of the community providing jobs and livelihoods - but at considerable cost. With deaths commonplace, people make offerings to El Tio, the devil under the earth, for protection and good fortune. But when the mountain's flow of tin ebbs, further measures must be taken...

Photography trip to Bolivia filmed with a rostrum camera and edited with original sounds from the country.

A documentary filmmaker travels to Bolivia to learn more about his father and his family's history.

Andean communities fight to protect their water from contamination by mining companies.

Aggregate States of Matters highlights the ambiguous relationship between humans and nature. For her new 35mm film shot in Peru, Rosa Barba worked with communities that are affected by the melting of a glacier and geological time becoming exposed. Barba shows the slow disappearance of the glacier and the perception of this fact within the Quechuan population in the Andes. While exploring different local myths, she outlines the possibility of translating ancient knowledge into the present time.

In a remote Peruvian city, lives Honorata Vilca, an illiterate woman of Quechua descent who sells candies more than 20 years ago, with the rain will cry to the sky itself.

In December of 2002, McDonald's had to shut down their restaurants in Bolivia. The company cited financial problems, but the real reasons were to be found elsewhere. Bolivia may be a small, poor nation on the global market, but a country's fierce local food culture can be sometimes a more powerful factor than economic clout. In his first feature-length documentary, Fernando Martinez shows what happened, a story driven by the characters behind the events and their life stories, such as renowned cooks and a review of popular sayings about the Bolivian food. The symbolism is obvious when a multinational giant is 'brought to its knees' by a country's traditions and heritage.

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