The Whole World is Watching

Vietnam 1967: Military intelligence has collapsed, Viet Cong have infiltrated the clandestine American spy network, and the U.S. can't rely on the South Vietnamese. John Murphy, then an elite adviser, analyst, and operative for the Army, CIA, and South Vietnamese intelligence services, reveals the gray areas of critical, on-the-ground intelligence work, where trust is hard-won and easily lost.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Jack Kelley volunteered for Vietnam. As an army captain, he routinely led his company of 140 men on patrols in the jungles near Biên Hòa. Ill-conceived orders came down from higher command: On June 29, 1966, Capt. Kelley was to spread his platoons 1,000 meters apart in order to cover more area while looking for Vietcong forces. During the patrol, the 3rd platoon stumbled upon an embedded Vietcong main force battalion. Outnumbered by nearly 10 to 1, the platoon was blindsided by a fierce attack. The triple-canopy jungle was dense and the terrain muddy, making rescue all but impossible. The film is a journey to understand what the filmmaker's father and seven survivors went through in 1966, and what they continue to go through today. Some volunteered for the army as teenagers. Others were drafted. Some went back to Vietnam years later with the hope of finding closure and peace.

Data—arguably the world’s most valuable asset—is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable, personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.

It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

Pilots, bombardiers, and navigators tell their own story of the air war over North Vietnam through on-the-spot interviews filmed between actual combat missions. Tension-packed pilot briefings, ground preparations of B-52 bombers and F-105 fighters, and exciting take-off and landing scenes highlight the action sequences of this film.

When this propaganda film begins the narrator states that before the beginning of World War II, Japan was the only one of thirty-five nations to refuse to sign an anti-narcotics treaty and alleges that this was because the country's leaders planned to use drugs as a weapon of war.

During the war in Vietnam, thousands of people in the Vietnamese province of Cu Chi lived in an elaborate system of underground tunnels. THE CU CHI TUNNELS is the story of life underground told by the people who lived the experience.

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.

Combat in the Air - Close Support in Vietnam

Thirteen veterans are given an opportunity to reveal their experiences in Vietnam and to talk about the frustrations they have encountered upon returning home.

Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution

What does a retired police officer, a dog trainer, the founder of a political party and anti-government protesters have in common? They've all met on the streets of Bucharest, 23 years after the Romanian Revolution, determined to reclaim the public space. Vlad Petri is following their stories for one year, from the first days of the anti-government protests to the final days of the Referendum against the President. The film raises questions about the role of the public space, the power of the individual and the understanding of democracy in a society caught between a communist past and an uncertain future.

From an archived interview originally recorded in 1982, this 1990 production reveals the findings of chief congressional investigator, Director of Research, Norman Dodd, and exposes the scope and purpose of various organizations in the findings of the 1953 Reece Special Committee on Tax Exempt Foundations.

During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.

A documentary exploring sexism and patriarchy in Kosova.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

World Order is a nearly two-hour documentary film by documentary film director Vladimir Soloviev examining the vast political changes in the world since the fall of the Soviet Union in 1992. The film was first broadcast on Russian television channel Pervy Kanal on December 20.