Houdou Nisbi

Jazz Icons: Cannonball Adderley boasts two beautifully filmed concerts from one of the most celebrated sextets in jazz history, captured at the top of their game. Cannonball Adderley (alto sax), Nat Adderley (cornet) and the masterful Yusef Lateef (tenor sax, flute, oboe), provide a massive three-horn frontline attack, while the stellar rhythm section featuring a pre-Weather Report Joe Zawinul (piano), Sam Jones (bass) and Louis Hayes (drums) fuel the songs with a deep infectious swing. Quincy Jones’ “Jessica’s Day” leaps from the gate with a huge “big band” sound that is extraordinary for only six musicians. This DVD is a reminder that Cannonball Adderley was one of the most outstanding and highly respected alto saxophonists in the history of jazz, a blues-based jazzman who could play anything in superb fashion.

Zuzana Lapčíková's Christmas jazz project. The Advent and Christmas songs of singer and cimbalom player Zuzana Lapčíková are based on ancient hymnals and orally transmitted melodies. Together with her quintet, however, she transforms them into contemporary, jazz-influenced music that oscillates between genres. On one day during the pre-Christmas period, musicians gathered in the Gothic church of St. Catherine in Šebrov to perform a musical mass for the locals. In an intimate chamber atmosphere, full of silence and humility before the Creator, Zuzana Lapčíková's original project "Panna Marija přečistá" (The Blessed Virgin Mary) resounds.

The recording process of musician Nilufer Akdogu's Turkish jazz album Aristo'ya Inat (Against Aristotle). The film presents the musical searches during the creation of an album with all its fragility. At the same time, it is a record of special sharings which elements from world jazz history are discussed with experiences, and the joy is never lost despite the setbacks.

“The Language of the Unknown” accompanies the great saxophonist and his band with a concert on November 3, 2012 in the Salle Pleyel in Paris, and observes the effect of the music on its creators, who are normally much too busy with creating the new than to deal with music already played.

Madeleine Peyroux - Live In Bordeaux

For two weeks, around twenty young musicians from the northern districts of Marseille come to train every day and rehearse three jazz pieces.

A chronological look at the life and career of jazz musician, composer, and performer Dave Brubeck (1920-2012 ), presented through contemporary interviews, archival footage of interviews and performances, and commentary by family, fellow musicians, and aficionados. Emphases include his mother's influence, his wife's invention of college tours, his skill as an accompanist, the great quartet (with Desmond, Morello, and Wright), his ability to find musical ideas everywhere, his orchestral compositions, his religious conversion, and his unflagging sweet nature.

A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.

Art Blakey & The Jazz Messengers features what many consider to be one of the fi nest line-ups in the history of jazz—Bobby Timmons (Piano), Jymie Merritt (Bass), Benny Golson (Sax) and the legendary trumpet player, Lee Morgan. Lost for nearly 50 years, this historic 55 minute concert, fi lmed in Belgium in 1958, one month to the day after they recorded their masterpiece Moanin,’ is the only known visual document of this infl uential band who were together for only six months.

Chronicles the extraordinary rise of Haitian-American jazz singer Cécile McLorin Salvant, anchored by a pristine recording of a live concert.

Crazy is the story of a legendary guitar player who emerged from Nashville in the 1950s. Blessed with incomparable, natural talent, Hank Garland quickly established his reputation as the finest sessions player in Nashville.

The two musical masters swing out.

Oscar Peterson is accompanied by the stellar duo of bassist Ray Brown and drummer Ed Thigpen for each concert performance. This is the classic Oscar Peterson Trio, considered by many to be the best Oscar Peterson Band ever. Oscar and the trio collaborate with trumpeters Clark Terry (Finland'65) and Roy Eldridge (Sweden'63) and re-create some of the excitement and fun of the Jazz at the Philharmonic (JATP) tours. Among the many highlights in this collection are the Oscar and vocalist-trumpeter Clark Terry collaboration on the ever-popular Mumbles ,and for the first time on commercial video, an Oscar Peterson Trio rendition of Tonight from his award-winning West Side Story album.

During the summer of 1980, the American jazz concert pianist Kazzrie Jaxen writes a 16 pages long letter to director Ingmar Bergman. His film 'From the Life of the Marionettes' have sent her on a dramatic inner journey, making her realize that she is not alone in her own body.

Record label manager and producer Manfred Eicher established the record label ECM in 1969. He has been a key promoter of European - and Norwegian - jazz.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.

The young American Pablo Menéndez came to Cuba to study Music at the National School of Art. Here he formed a family and became one more Cuban. Member of the Sound Experimentation Group of ICAIC and promoter of the teaching of the electric guitar in Cuba, he is, together with his group Mezcla, one of our most original musicians.

The musical traditions of the eastern and western worlds are bridged through the improvisations of Bombay, India-born percussionist/vocalist Trilok Gurtu. Gurtu’s mastery of post-bop jazz has not gone unnoticed. Downbeat magazine named him “best percussionist” in three critic and popularity polls and proclaimed, “musically, the world is his stage”. Jazz magazine, Straight No Chaser took a similar view, writing, “this music has a transcendental quality and removes any obstacles that lie between western and eastern improvised music.” Gurtu’s eclectic approach has enabled him to collaborate with most of the world’s greatest musicians. Tracklist 01. Jhuleal 02. Peace of five elements 03. Africa con India 04. Pasana’s Love 05. Dance with my lover 06. God rhythm

Zawinul is onstage with the WDR Big Band from Germany and a special international rhythm section. The music is a tribute to the pioneering 1970s fusion collective Weather Report, originally with Wayne Shorter on sax, Zawinul on keys, and later Jaco Pastorius on bass (among other personnel). Zawinul and the WDR play "Brown Street" and "Carnavalito." Arranger Vince Mendoza re-imagines this colorful, small-group music for Europe's longest-lived jazz orchestra. And they can play!