Mrs Lirriper’s Lodgers

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Frankie is a car park attendant at the spectacular Giant’s Causeway in Co. Antrim. His friend Cathy and her husband Paul are in trouble. Nevertheless as Frankie always says, "Something will turn up!"

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A young actor and his wife undergoing an IRS audit have more to worry about than the usual cheating when the IRS secretary turns out to be hot for the wife and the auditor turns out to be an ex-trick of the actor.

A romantic drama about two couples shifting sexual dynamics over one night in a music bar.

In this companion-piece to The Green Knight, two mysterious entities exchange their knowledge in unconventional ways.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.

A young man fakes his identity to impress a girl.

A gay man has to fend off a woman after he helps her and she develops a crush on him.

A British engineer in India takes a simple native girl as his bride, an act which defies social strictures and leads to tragedy.

When Andra, a diagnosed psychopath, receives a love letter from Sadie, an undiagnosed love addict, her natural state is shaken as she confronts the dull prospect of romance.

An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.

An 80-year-old woman spends her time at a bus station. She’s waiting for the right moment to leave this place forever.