The pink indian against the invisible beast: Noel Nutels' battle

Directed by nine Indigenous Solomon Island filmmakers, this is both a love letter and lament for the eponymous traditional lands.

The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.

In this short documentary, Canadian poet Andrew Suknaski introduces us to Wood Mountain, the south central Saskatchewan village he calls home. In between musings on his poetry, which is tinged with nostalgia and the vast loneliness of the plains, the poet discusses the area’s multicultural background and Native heritage, as well as the customs and stories of these various ethnic groups.

A short documentary that celebrates Dene cultural reclamation and revitalization, in which a father passes on traditional knowledge to his child through the teachings of a caribou drum.

A collection of restored prints from the Lumière Brothers.

This PBS documentary explores depression, a debilitating disease that affects millions of Americans. Touching the lives of people from diverse backgrounds, depression still carries a stigma that causes some sufferers to go without treatment. Real people with depression talk about their experiences, and scientists offer commentary to shed light on the disease, including its diagnosis, treatment and current research.

Povo da Floresta

Four young Americans who've each suffered a Traumatic Brain Injury emerge from their comas at a New Jersey medical facility. Their eyes may be open, but now the real challenge for each of the patients, their families, their doctors and their therapists begins. Brain healing isn't predictable, we're told, and certainly is not guaranteed. So with each 'major' step forward that is observed (opening one's eyes, bending a thumb upon command, vocalizing a word, answering a question correctly) comes a sense of jubilant relief and hope from the families of these patients, but as we soon see, the more a patient progresses, the more difficult things can be for all involved. Moments of faith & hope contrast with disappointments & frustrations, moments of confidence with moments of doubt. It's difficult to watch, and unimaginable to have to ever live through.

Born in 1932, Keiko Kishi has been one of the first Japanese actresses known worldwide. Her decision to move to France and to marry director Yves Ciampi in 1957 – after he filmed her in Typhoon Over Nagasaki starring Jean Marais and Danielle Darrieux – caused a huge scandal in Japan. Despite this transgression, Keiko Kishi continued acting in her home country with Kon Ichikawa, Yasujiro Ozu, Masaki Kobayashi… building unique bridges between Japanese and European cultures. Free and rebellious, she emancipated herself from the many obstacles she encountered in the film industry, and created her own production company in her early twenties. Let’s look back at the story of a pioneer, an inspiration for many generations.

On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.

Malades sans ordonnances

A look into the recent history of the Chukchi people.

The film explores the daily lives of three children with Congenital insensitivity to pain, a rare genetic disorder shared by just a hundred people in the world. Three-year-old Gabby from Minnesota, 7-year-old Miriam from Norway and 10-year-old Jamilah from Germany have to be carefully guarded by their parents so they don't suffer serious, life-altering injuries.

A documentary that examines the issue of forced live organ harvesting from Chinese prisoners of conscience, and the response - or lack of it - around the world. It's happened before: governments killing their own citizens for their political or spiritual beliefs. But it’s never happened like this. It’s happened so often that the world doesn’t always pay attention.

A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

For hundreds of years, Taiwan has been under different colonial rules. From the Dutch, the Spanish, the Japanese, and nowadays Republic of China, each regime left their footprints on this island. Only the indigenous people of this island experienced of the process. They were given different names during different periods of colonisation and their cultures have been changed. Through the life of a Truku elder, we see the history of aboriginal recertification movement.

If We Knew is a documentary about paediatricians in an intensive-care unit for newborns. A film about the compassion needed to heal the sick and occasionally needed to hasten the death of a child.

Die Biografie des Bösen

'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.