In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.
1989, New York City's Alphabet City and East Village. A year after the Tompkins Square Park Riot, squatters and their community allies try to stop the demolition of their building after an arson. Police forces occupy the neighborhood while the demolition continues. A portrait of an East Village that is no more. An homage to the voices and sounds of a neighborhood before its gentrification.
A documentary about a case of police brutality in the 80's NYC, the killing of graffiti artist Michael Stewart
A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
In the history of “The Simpsons,” few characters outside the title family have had as much cultural impact as Apu Nahasapeemapetilon, the Springfield convenience store owner. Comedian Hari Kondabolu is out to show why that might be a problem.
The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.
Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike in 1982. Thirty years later, it's the turn of a new generation to join the fight. Worthy heirs of their parents, the workers revive a forgotten memory and offer a unique perspective on the history of contemporary France. Matteo Severi's film mirrors these two social struggles, led by workers from immigrant backgrounds.
Using two separate filmmaking teams (an all-white crew filming white residents and an all-black camera crew filming black residents), TWO TOWNS OF JASPER captures very different racial views by townsfolk in Jasper, Texas, the location for a racially motivated murder of an African American man in 1998.
Amidst the storm of Ferguson, 7 St. Louis college students evolve into advocates and activists as they demand change through policy and protest
A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.
A shocking 2 hour full length movie from B.A. Brooks that will change the way you look at our leadership within America's government and military today.
“Over 500 years ago, my tribe arrived on the shores of India from Africa,” says the social worker narrator of Asha Stuart’s Lost Tribe of Africa. His ancestors fled enslavement, escaping into the forest in the Indian state of Karnataka where they live today, most of them Hindu converts. India’s 35,000 descendants of slaves from Africa’s Bantu Region are members of the Siddi tribe. Siddi means “enlightened one,” but the Siddi are “Untouchables” in India’s caste system. “How do you empower the youth in a world whose people think they’re less than human?” asks the narrator, whose life mission is to do just that.
This documentary delves deeper into the racism issue addressing many discriminatory practices in Peru, researching their origins and their hurtful consequences.
A dialogue between the collective and the personal, a living memory that combines the dreams and realities of the Haitian community residing in Chile. This dialogue is guided by the voice of Wilner Petit-Frère, a Haitian immigrant who observes and captures, in a print publication, the society where he ended up living in this stage of his life.
A scream amid so many silences, an attempt to rescue the human's gaze upon himself.
It’s been widely reported that Detroit is making a comeback, but long-term residents of Detroit’s mostly black neighborhoods aren’t seeing much benefit. Crime, lack of opportunity and infrastructure problems still persist. Community Patrol explores neighborhood self-policing through the eyes of Minister Malik Shabazz, a long-time Detroit activist and community organizer. Determined that more black men don’t end up in jail or killed, the minister confronts drug offenders directly rather than reporting them to the police.
Writer producer Donick Cary (The Simpsons, Parks and Recreation, Have a Good Trip, etc.) has been a huge fan of the Washington D.C. pro football team since before he could walk. Passed down from his dad, he was excited to pass the tradition onto his kids. Donick never questioned the team name and or Native American logo until one day, while watching a game, his 9-year-old son, Otis, asked him if it was racist. When Otis suggests they ask Native Americans how they feel, it sends the two on a cross-country journey full of unexpected surprises.
A multi-racial group of college students in a weekend racial sensitivity workshop discuss affirmative action, self-segregation, internalized racism and cultural identity. The film continues as they return to their campuses (University of Massachusetts, Texas A&M, Chico State, and U.C. Berkeley) and visit home.
This compelling documentary feature gives the Native American perspective on Indian Boarding Schools and uncovers the dark history of U.S. Government policy which took Indian children from their homes, forced them into boarding schools, and enacted a policy of educating them in the ways of Western Society. This award-winning film gives a voice to the countless Indian children forced through a system designed to strip them of their Native American culture, heritage, and traditions.