What's In a Number

To remedy his financial problems, a travel agent has his eye on a frozen corpse, which just happens to be sought after by two hitmen.

An exploration of the making of b-movie sci-fi cult classic "The Creeping Terror" and its con-man director Art "A.J." Nelson/Vic Savage.

A mockumentary following the rise, fall and continued tribulations of former internet personality Chet Larson and those associated with him.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

A weekend in the city park is meant for recreational activities. During a twenty minute period, several men seek out a way to pass their time at a cruising spot located in the heart of a small peninsular grove.

A docudrama about the boxer Jôichirô Tatsuyoshi. The documentary part follows Tatsuyohi for 18 months, from his comeback from an eye injury to his match against Yasuei Yakushiji in 1994. A fictional part follows a restaurant owner, fan of Tatsuyohi, waiting for the match with his friends and family.

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

Matarile

Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.

The restaurant opens. Customers eat. The restaurant closes. For one employee, this daily routine becomes his personal hell.

Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.

A jaded lawyer wastes an afternoon trying to figure out if a dim-witted government employee has ever used a photocopier. All the dialogue in this short comes from an actual deposition filed with the Supreme Court of Ohio.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

A man sits at the table and eats his meal...with rather unusual effects.

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

Pretty, popular, and slim high-schooler Aly Schimdt had plans of earning a sports scholarship to college but a knee injury ruins her chances. She decides to enter a documentary contest in the hopes of winning money for college. She believes that overweight people, like her mom and brother, seem to make excuses about how the world perceives them. So Aly decides to attend a rival high school as a heavily overweight person for the documentary, but not change her personality. Aly intends and hopes to prove that personality will outshine physical appearance. But when she's met with ridicule, harassment, and name-calling she begins to see things differently.

A videographic fantasia on the films of Alfred Hitchcock that quickly veers into controlled insanity. Through fervor and mania, this unconventional cinematic homage re-imagines the influence of the master of suspense. A "murdergame" means to will a dream into existence, and fall victim to obsession.

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.

An experimental, non-sensical comedy about bringing a stone age man back to our time, made with the app “Plotagon”.