Ain't No Time For Women

Documentary showing the Czechoslovakian political landscape in March 1968, when president Antonin Novotny, a hardline Stalinist, stepped down and moderate communist Ludvik Svoboda was elected. Five months later, in August 68, the Prague Spring would end with the military intervention of the Warsaw Pact.

Following multiple scandals surrounding Canada’s hockey infrastructure and its dishonest leaders, a generation of young athletes find themselves facing a moral dilemma. Frédérique describes her exit from the game.

An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.

EABT is one of our biggest social critics on YouTube with over 233,000 subscribers. Find out why he chose to start the channel and how he has looked at the development since then.

Documentary film about Tony Halme, masculinity and populism. The film follows how Tony Halme created a mythical, highly masculine freestyle wrestling character, The Viking, who gained fame both in the ring and in the public eye and eventually became captivated by it. With his brash speeches, Halme fired the starting shot for the rise of the Finns Party. The voice of a forgotten section of the population, a protest against the ruling elite, were the building blocks of Halme's popularity. Halme's great popularity has served as a good example of a populist figure, admired within the deep ranks of the nation, who comes from outside the political elite and changes the direction of politics. Also, despite - or perhaps because of - his openly racist statements, he was part of changing the political climate in Finland to a more acrimonious one.

This short documentary records Anne Cools’ 1978 run for the Liberal Party nomination in Rosedale, one of Toronto's largest and socially most diverse federal ridings. The film records her bid for political power, and explains the nomination contest, a basic step in the Canadian electoral process. Because she was competing against the Liberal Party's preferred candidate, the nomination battle in Rosedale turned into one of the most innovative and fascinating in the history of Canadian politics.

From his modest apartment in Lima, a teacher gives virtual classes, seeking to reflect with his young students with low socio-economic backgrounds on racism, politics and inequality: issues that resonate in an increasingly fractured country.

Rojo profundo is a journey through the life of one of the most representative figures of the Peruvian left, Javier Diez Canseco Cisneros: his childhood, his school and university days, his intense political life, his tireless search for equality and social justice, his fierce defense of human rights and his tireless fight against corruption.

Juana Sapire returns to the city from which she had to go into exile in 1976 to testify in a historic trial over the disappearance of her husband, revolutionary militant and filmmaker Raymundo Gleyzer.

A plea for the liberation of female sexuality in the 21st century. The film questions millennial patriarchal structures, as well as todays omnipresent porn culture. It accompanies five extraordinary women around the globe, reveals universal contexts and shows the successful fight of these courageous women for a self-determined female sexuality and an equal, passionate relationship between the sexes.

This revealing documentary offers a rare view of daily life in West Africa. Shot in Senegal, Selbe focuses on the social role and economic responsibility of women in African society. Because men often leave their communities to earn money in the city, women are left with sole responsibility for their families. Through the character of Selbe we observe how one woman's personal struggle reflects the broader issues faced by many women in developing countries.

In 1989, this film was part of the PAMEZ project in Senegal which was part of the sea program of the CCFD, Catholic Committee against Hunger and for Development. It presents the economic and social role of women in the Casamance region for the development of fishing. These women who process and market fish, who are responsible for management, have a voice and express their opinion.

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.

When we give something a name, does it lose or make sense? A female body proposes an apparently simple game - it asks women from diverse generations the definition of something that in theory unifies them. Part of a transmedia project, the film is the main entrance to a narrative that has many points of view and no right answer.

'Gideon: Searching for the truth' takes the viewer with Van Meijeren on his quest for answers to questions about the current global health crisis. Questions that are common among the population, but to which he, and therefore the people in the country, do not get an answer in the Dutch House of Representatives. A place where Van Meijeren says he often feels like 'crying in the desert'. Where he gets no answers to his 'justifiably pressing' questions. Where instead he is invariably framed and judged by form, which makes any form of democratic debate impossible in advance.

Fragments

Ett folk, Ett parti

Retracing the trip to Tunisia that painter Paul Klee took in 1914, Tunisian filmmaker and painter Nacer Khemir leads viewers on a journey of discovery into Arabian culture.

A documentary about a shocking case of HIV criminalization in Greece.

Their documentary is the result of an ethnographic audiovisual research. How to research the theme woman and all the themes that surround it, respecting the place of speech of each one? Based on an interview with eighteen women cultural makers from the interior of São Paulo, we open the way to listening and dialogue on macro-themes permeated by their trajectories. The stories are theirs, but they're ours. Expand the debate about being a woman, about feminism and about our pains and delights, about our contradictions and dreams. The documentary is then a research, an open process of listening, reinterpreting and giving voice to them.