Arica

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

Brunkul

The marks of the violence of the Chilean state, against its own compatriots. Flicker Film. 35mm B & W Still Photography. Silent.

On April 10, 2014, the environmental activist and president of the Junín community, Javier Ramírez, was arrested and sentenced to ten months in prison for the crimes of “rebellion, sabotage and terrorism”. A few days later, the National Mining Company entered the area accompanied by a squad of at least 200 policemen to carry out studies related to the Llurimagua mining project, in the Íntag cloud forest. Javier with I, Íntag collects Javier Ramírez's reflections after his release, his feeling of condemned innocence, the pain of living in a divided, busy and frightened community, with its social fabric destroyed.

A Chilean stomach and social discomfort.

The documentary registers the reaction of the inhabitant the communities of Imbabura, Zamora, Chinchipe and others Ecuadorian provinces under the influence of mining. The testimonies of the leaders and the protagonists tell the facts that are at the center of this story.

In this feature documentary, filmmaker Paul Cowan offers an innovative, moving account of the Westray coal mine disaster that killed 26 men in Nova Scotia on May 9, 1992. The film focuses on the lives of three widows and three miners lucky enough not to be underground that day when the methane and coal dust ignited. But their lives were torn apart by the events. Meet some of the working men, who felt they had no option but to stay on at Westray. And wives, who heard the rumours, saw their men sometimes bloodied from accidents and stood by them, hoping it would all turn out all right. This is a film about working people everywhere whose lives are often entrusted to companies that violate the most fundamental rules of safety and decency in the name of profit.

The catastrophic and avoidable coal mining disaster at the Knox Mine is recounted by the people who lived through the tragedy.

Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.

In Nevada’s remote Thacker Pass, a fight for our future is playing out between local Indigenous tribes and powerful state and corporate entities hellbent on mining the lithium beneath their land. Vancouver-based Lithium Americas is developing a massive lithium mine at Thacker Pass, but for more than two years several local tribes and environmental organizations have tried to block or delay the mine in the courts and through direct action.

Heavily dependent on imports, Europe is seeking to develop its production of lithium, an element that is essential to the energy transition. Focus on the environmental challenges that accompany this quest for independence.

The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Experimental Short Film Documentary made during the social outbreak, follows 2 Deaf people walking through the outbreak in Plaza Dignidad.

Time-travel to a 1940s classroom with this exemplary educational film.

Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.

Join the working men of a northern powerhouse: on the job in Gateshead workshops and at the long wall of a Northumberland pit.

Inspired by an unconventional teacher, a group of teenagers in upstate New York in the early 1990s make a student film and uncover a vast conspiracy that is poisoning their community. Thirty years later, they revisit their film and confront the legacy of this transformative experience.

A docudrama on the closing of the town of Schefferville. When Raoul loses his job at the mine because the operations are ending, he's been settled there for ten years with Carmen and their son. They're now forced to leave the town, leaving behind the traces of an ephemeral prosperity.

Warwick company newsreel material of the Universal Colliery at Senghenydd on fire after an explosion on 14th October 1913, and footage of a funeral procession for some of the 439 mine workers who were killed, is followed by a collage of images of the town and its people as they are 50 years later. Wynford Vaughan Thomas, narrating his own commentary, wonders if "colour"- superficial re-decoration – can really make any difference to "the inner heart of Senghenydd". Shot on spare, blank pieces of film by James Clark. Assisted by local amateur photographer and former miner Bill Probert. Script written and narrated by Wynford Vaughan Thomas. 1964.