Bhagwan Parshuram

After the passing away of his son and Caucasian daughter-in-law, London-based widower Purshotam Agarwal brings up his granddaughter, Namrata, on his own. When she matures, he pressurizes her to get married to Tikamgarh-based Ranveer's son. She travels to India, and much to his chagrin refuses to get married to the boy of his choice, and instead brings back a wealthy male named Romi, who she claims is her fiancé. Little does Purshotam know that Romi is not who he claims to be, and that Namrata has no intention of marrying him either.

This film is about a university graduate Jackie Shroff, who can get no better job than a petrol pump employee, a girl Padmini Kolhapure, who is struggling to pay for college, and others in a building owned by Prem Chopra, who attempts to evict them with the help of Shakti Kapoor.

When a cynical ex-TV news anchor gets an alarming call on his radio show, he sees a chance for a career comeback — but it may cost his conscience.

Stree is a 1961 Indian fantasy film selected as the Indian entry for the Best Foreign Language Film at the 34th Academy Awards, but not nominated.

A flying prodigy, Captain Vikrant Khanna's flight takes a stirring and mysterious trajectory after take-off from an international destination. Concurrently, it follows the tenacious Narayan Vedant in his pursuit to uncover the truth.

Once upon a time in a village a dacoit named Daku Mangal Singh (Ranjeet) harasses the villagers for lagaan, When Inspector-in-charge Vijay (Girish Karnad) gets transferred to that village he encounters Daku Mangal Singh (Ranjeet) and makes a plan to set the village free of the menace. This story is about five criminals who were taken by the inspector-in-charge Vijay for help to the village. Inspector Vijay take those criminals at his own risk as the higher authority denies his approval. Daku Mangal Singh also exploits women in the village. Does Vijay succeed in his mission.

Govind, Nazir and Joseph decide to give up the world of crime when a little girl enters their life.

Young Seema lives a middle-classed lifestyle along with her grandmother and maternal uncle, Kamdev. She is friendly with Rajesh, and another young boy, Sanjay, also wants to be her friend, but she rejects him. Then the region is devastated by floods and she is separated from Rajesh. Years later, Seema has grown up and much to her delight gets re-united with Rajesh. Her grandmother happily arranges their marriage. On the day of the marriage, a beautiful young woman, Prema, along with a young child in her arms, stops the marriage, claiming that Rajesh is already married to her and is the father of her child. Watch what impact this has on Seema and on her grandmother.

A work from home guy, who constantly orders online, wakes up to find himself tied up by an exasperated and apologetic delivery girl.

‘Bahattar Hoorain’ is a dark comedy that examines the real consequences of violent extremism and urges that every human life should be treated with dignity and respect.

Kamini (Shyama) runs over a young man (Dev Anand), who is seriously injured. Kamini visits him daily even while he is unconscious. When he recovers, she is attracted to him, and sets him up with employment with her dad Seth Mothumal's (Gope) business as a manager. He dines at Mothumal's house by Kamini, where he comes across a mute maid-servant named Asha (Nimmi). Asha is attracted to him, and he also feels attracted towards her, little knowing that his past has come to re-visit him in her form, and not knowing the changes it will bring to his life.

Lata, daughter of a dancing girl, is brought up by social worker Mathuradas and is engaged to marry the rich Ranjit when the villain Chand arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.

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The Police emergency control room receives a call from a woman, who sounds troubled and wants to commit suicide. As officer Nikhil tries to calm her down, he discovers that the hysterical woman has bought a gun. When asked, she tells him to stay tuned to find out about her real intentions. But as time progresses, Nikhil figures out that the woman has sinister intentions and his family is in danger.

Madhuri and Rani (Baby Madhuri) are twin sisters whose parents, Seth Dinanath and Radha, are shot in front of them by their mother's rejected suitor Shivnath (Dalpat). The mother dies and the father is kept prisoner by Shivnath who also kidnaps Rani. Madhuri is found wandering by a rich man Rai Bahadur, who takes her home and adopts her. Several years pass and Madhuri (Fearless Nadia) is enjoying her life in luxury. She has a dog called Gunboat who accompanies her everywhere. She finds out about her parents and sees Rani dance at a nightclub. She vows vengeance and soon the sisters along with two friends (Yakub and Agha) fight their way to the gangster and free their father.

Living in a Chawl in Dongri, Bombay, Vikrant Narayan Singh dreams of being wealthy, romances Mona, the only child of widower & Retired Colonel Suryadev Singh, and sends money to his village-based widowed mother. While celebrating Mona's birthday at Hotel Sea Princess, he is humiliated and assaulted by J.D. Chaudhary and Monty Nagpal and decides to file a police complaint. It is this decision that will not only change his life forever but also alienate him from Mona, as well as compel him to join the underworld headed by Monty's dad.

This is the story of a young woman named Sita, who is engaged to a college professor. Rakesh, a spoilt rich brat comes across Sita one day and falls in love with her but Sita does not love him.

Ek Adhuri Kahani is 1972 Hindi language movie directed by Mrinal Sen, starring Utpal Dutt, Shekhar Chatterjee, Vivek Chatterjee, Aarti Bhattacharya, Shyam and Shobha Sen. It was based on a Bengali story, Gotrantar by Subodh Ghosh.

Lallan and Meena, a couple from Banaras (North India), are consumed by their pursuit to survive in the seedy ghettos of Mumbai city. Lallan ambles about hopelessly while Meena is losing touch with her emotions, almost turning into a machine herself. One day over a phone call, they find each other while embracing death, divorce and redemption.

An actress fights against the insurmountable odds to change her fate.