Space Age Hair Fashions

A documentary film about AIDS and one unconventional woman's efforts to educate her small, Southern community. DiAna DiAna is a local hairdresser who transformed her beauty parlor into a center for AIDS and safe sex information.

The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years ago. Story of my Hair is a journey, both in space and in time. Anyone looking for truths, whether geographical, scientific or historical, will be disappointed. After looking at real events and real places the film very soon distances itself from them, preferring poetry and fiction. In his own fashion the auteur has combined the story of Samson and Delilah, the journey of those condemned to the death camps, the science of hair and a few thoughts about the meaning and fragility of life.

The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.

A documentary that chronicles the rise and decline of the black-owned ethnic beauty industry in America.

An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.

A film on the staff and customers of three Blackpool hair-dressing salons as they discuss the many facets of life. Stories of love, loss and gritty determination to carry on and make the best of things with a sense of humour abound.

A short documentary about one man’s sacrifice to survive in America.

People with 'kinky' / curly hair have been the butt of every hair joke worldwide for centuries. From name-calling, discrimination across all platforms, lost opportunities and more, these issues tend to take a toll on the lives of 'naturals' around the globe. 'Sorf Hair.' explores the natural-hair experience in Trinidad and Tobago as several people, from all walks of life and different hair textures, unearth their stories, challenges, and give their points of view on how and why naturals are treated the way they are in this country.

The hairstyles of four Afro-descendant people from Mexican - Senegalese families, represent the starting point to reflect, through memories that emerge from their past and present, what it is like to live in México wearing a Black Crown and the consequences that implies.

Every month, natural hair specialist Nancy Falaise closes the doors of her Montreal salon to lead a private workshop for young girls of colour struggling to love their natural hair. Step-by-step, she teaches them how to care for their respective hair textures, while also creating a safe space for them to bond over their shared experiences and forge meaningful friendships. Nancy’s Workshop is an intimate and immersive exploration of this journey. The film is an invitation to observe Nancy and the journey of these girls, and is a testament to the immeasurable value derived from strong and empowering female relationships. Produced by the Canadian Broadcast Corporation.

A raw and uncensored look at what really goes down in urban barbershops.

Actresses' hairstyle in movies always carries a strong aesthetic statement associated with erotic, social, and historical meanings. In a bold and unexpected way, the film revisits this ultimate symbol of femininity in international cinema.

A road trip through gay spaces in small town South Africa, Graeme Reid's documentary introduces viewers to hairstylists, preachers, traditional healers, and beauty queens. This moving film provides an alternative vision of acceptance and celebration, in contrast to the wave of homophobia that is sweeping across sub-Saharan Africa.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

A small suburban town receives a visit from a castaway unfinished science experiment named Edward.

Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

A not so clever guy called Bertie with a Opel Manta (a low budget European sports-coupe from the '80s) gets competition in a street race from a guy with a fast Mercedes, and another slick guy with a Ferrari tries to get his hands on Bertie's girlfriend.

Master painter Hans Moll and his wife, the television announcer Ms. Wellinek and her husband, and the German-Russian Jew Yevgenia have many things to live on: food, drink, an apartment. What they do not have is work. They all discover the yearning for a chance to start all over again and bring themselves back to life.