memories/fortress

Filmmaker Evie Wray travels to rural Kansas in an attempt to reconnect with her mentally unstable mother, Evie, for the first time since Evie’s psychotic breakdown five years earlier. She finds a parent still chasing her demons, both real and imagined, struggling to make a career for herself as an abstract artist and searching for the Geodetic Center of the United States, the finding of which, Evie says, will bring about world peace.

Almost 50 years after the film’s release, all the Overlook Hotel’s sets are thought to have been destroyed, but one last filming site remains.

A deeply moving portrait of an architect tested by the impossible choices between career, country and motherhood

A young woman who lives in Canada travels back to her home country, only to complete a long-time wish to take a special "couple portrait" with her aged Grand father.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Boatman's Call (originally released in 1997). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

In the summer of 1968, a group of people assembled in Great Barrington, Massachusetts. They were making a film of John Barth's 1958 novel The End of the Road.

A Real Hero is an experimental documentary about the life and humanitarian work of His Highness Sheikh Mohammed bin Rashid Al Maktoum.

Tradewinds in an intimate portrait and examination of the life of CHamoru jazz pianist, Patrick Palomo, whose musical style has combined CHamoru lyrics with the sounds and melodies of contemporary and classic jazz music. Although his music career has spanned decades and continues to influence the Guam music scene, the film explores how his legacy has paved the way for younger artists to follow in his path. Together with rising local talents, Shannon McManus, John Glaser, and Andrew Gumataotao, they form the group, Tradewinds. Together the group produces music highly influenced in the jazz style with lyrics in the CHamoru language. Tradewinds is a film that highlights the importance of language preservation and explores the definition of indigenous art.

Featuring Interviews with Noel Cunningham, Sean S. Cunningham, Kane Hodder and Todd Farmer. Discussions include writing and pre-production, the influence of Scream's success on the film, early concepts for the film, settling on outer space, plot and setting details, shooting 3-perf film, visual effects, ditched concepts, über Jason, audience reaction, and more.

Sir Ian McKellen and Richard Loncraine talking about making the film.

Comments from composers Richard and Robert Sherman.

A community of Armenians, refugees from the Soviet Union during the Baku pogroms, live in a deep American province. Baku life, Armenian blood, Soviet mentality, and American emigration mix in incredible tragicomic proportion.

An interview with Caroline Munro about the making of Maniac.

Self-portrait of a 38-year-old mother from Abitibi, struggling with breast cancer.

At the end of the 1960s, Vanesa’s parents fled the Franco-regime’s deep poverty to pursue their dream in the Netherlands. Working their blue-collar jobs for hours and hours, for over 45 years, their purpose was to return to Spain wealthy and comfortable. There, in a house full of Dutch porcelain and shiny gold, they can now finally rest. Vanesa was raised as Dutch, but still feels trapped in their expectant illusion, even with the distance between them. Torn between two homes, she starts to re-examine her past.

Making of Jean Luc Godard's Alphaville (1965)

Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910s. Amidst the solitude of his home routines — coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year — we glimpse an unexpectedly rich inner life.

A man wanders around an abandoned hospital. Years after their last encounter, someone whose life he saved seeks him out in his old office, so that together they can piece together a memory of their shared past.

A meditation on childhood, loss, and the desire to recreate one’s innocence; the recalling of memories.

Brian Bolland’s artwork is instantly recognizable to comic book enthusiasts all over the world. Known for his amazing cover art, it was a rare inclusion into the body of a graphic novel, Batman: The Killing Joke, that helped the perennial story of Batman and The Joker remain a fan favorite for decades to come. Combined with the graphic novel’s original script – which is more than just the telling of a story, but an intricate map explaining every stop along the way to the end of a fantastic journey – this documentary reveals the artistic process behind The Killing Joke’s distinct style. We’ll learn how artists and writers excelled at conveying story and human emotion one panel at a time, mesmerizing readers with unforgettable stories and humanized depictions of heroes and villains. And why after nearly 30 years in print, Batman: The Killing Joke is more thought provoking than ever, as its socio-economic themes are relatable to generation after generation.