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Artak has served his military service in the Russian countryside where he meets Valya. But Valya's mother refuses to send her only daughter to “these far highlands, where earthquakes happen all the time”. Artak is forced to ask his contrasting and numerous relatives –Armenian villagers– to visit a remote Russian village to bring a bride to Armenia.

The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.

Manas is hired to work for master Tatos till the spring, "when the cuckoo will call". There is one condition of the contract: if anyone of them gets annoyed with another, he loses everything. Unable to stand the day-and-night work for stingy master, Manas leaves without a pense of salary for months work. Next servant who knocks at Tatos's door is Manas's small brother, smart Simon.

Filmed in the Armenian capital of Yerevan, Lusine Sargsyans drama depicts the lives of various individuals living in an apartment complex during the Armenian-Azerbadjanian war of the mid 1990’s. The situation is cruel and hard for the citizens of Yerevan. The need for food and electricity is dominating the international news from the city, while inside this abode in the centre of the city daily life goes on in spite of desperation. A rare narrative insight into a war that had a huge impact on Armenian life, Sargsyans five unique stories about relationships, struggles and faith preach a down-to-earth sermon about the cruelty of wars, and the strength of humour, love, and community.

In 1948, decades after fleeing Armenia to the US as a child, Charlie returns in the hopes of finding a connection to his roots, but what he finds instead is a country crushed under Soviet rule. After being unjustly imprisoned, Charlie falls into despair, until he discovers that he can see into a nearby apartment from his cell window - the home of a prison guard.

Rich Nikoghos-agha buys some beef liver for Nerses-akhpar's family. Although months have passed, Nikoghos-agha does not hesitate to remind his "charity" to Nerses-akhpar every time they met.

The feature film is based on true events that changed two families forever. The story, both comical, satirical and a tragedy begins in the city of Yerevan, Armenia. Grigor Janoyan, a professor of agriculture at the University of Yerevan, dies from a freak accident, almost as strange as the events that soon follow. In accordance with Armenian tradition, the relatives bring the deceased into their home for the "viewing" by his friends and family before the burial. The family, consumed with grief fails to realize that the body on the dining room table is not Grigor. A friend of the family, while paying respects, discovers the mistake. Grigors look-a-like, Ruben Pashayan was the head of Armenia's organized crime families. Trouble is inevitable, but as the story continues, Grigor's son Hayk and his friends begin the quest of finding his father's body.

In their first collaboration Melkonian and cinematographer Mikhail Vartanov film two neighbour families that both claim ownership of a huge mulberry tree growing in the middle of their two houses.

Alone Man Show

Inspired by true events, this is a film about a childhood friendship, torn apart by the horrific Hamidian massacres infiltrated by the Ottoman Empire under the rule of Sultan Abdul Hamid II (1894-1896).

The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.

In a decaying Soviet-era retirement home, a vibrant group of elders cling to life by staging Shakespeare. Yet loneliness lingers beyond the theater’s doors, until drama begins to blur with reality.

More than one million Armenians perished between 1915 and 1916 in massacres or brutal deportation programs. Turkey still denies it ever happened. Laurence Jourdan examines massacres of Armenians in the decades leading up to the mass murder, and the geopolitical situation both before and after the genocide. Contemporaneous reports and documents written by Western diplomats stationed in the Ottoman Empire describe the methods used and the deportation routes. These accounts are mixed with personal stories from the living survivors and archive footage from Ottoman authorities.

The Armenian national hero, David Bek, leads a major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.

In Munich, the Armenian Areg dreams of studying cinema with his German girlfriend Lilly. Until her widowed mother fell seriously ill with diabetes. Areg and her little brother Garnik have to take care of her.

Explores the Ottoman Empire killings of more than one million Armenians during World War I. The film describes not only what happened before, during and since World War I, but also takes a direct look at the genocide denial maintained by Turkey to the present day.

The Grammy-winning lead singer of System of a Down, Serj Tankian helps to awaken a political revolution on the other side of the world, inspiring Armenia's struggle for democracy through his music and message.

The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.

Taking place in 1991, Tigran, who teaches math at a village school to avoid the army, loses the girl he loves. Consumed by abject wretchedness, he decides to enlist as a volunteer in the Nagorno‑Karabakh war to give meaning to his hollow life.

The film is about the civil war in the Zangezur (Syunik) province of Armenia in the early 1920s. The last Dashnak battalions headed by Sparapet Nzhdeh still opposed both the incursion of Red Army and the local Bolshevik partisans.